Film

The National Association of Theatre Owners has expanded the purview of its government relations chief Todd Halstead to include a new position, director of Independent Exhibitor Engagement. In the role, which is dedicated to indie theater owners, Halstead will collaborate with NATO’s Independent Theatre Owners Coalition (ITOC) “to help the group thrive.” The indie theater
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EXCLUSIVE: Heading into the Swift snowfall this weekend at the box office, here’s what we can tell you about the AMC-distributed film. As has already been reported, a $100M+ projection per distribution sources is in store and another $50M+ overseas (for $150M WW debut); but part of the stats indicating this come from box office
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Refresh for latest…: Just as it came in lower than hoped for domestically, Universal/Blumhouse/Morgan Creek’s The Exorcist: Believer didn’t fully convert overseas audiences, summoning a $17.9M international box office debut for $45.1M global. The R-rated David Gordon Green-directed reboot/sequel did see some of its 52 launch markets give it a No. 1 start, while in
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Augustus Meleo Bernstein’s new movie At the Gates is getting a November 3 theatrical release date in New York and Los Angeles from Picturehouse. The Beacon Pictures and Five Towers production stars Miranda Otto, Noah Wyle, Ezekiel Pacheco, Vanessa Benavente and Sadie Anne Stanley. Bernstein wrote and directed in his feature debut. In the movie,
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The 11x Oscar nominee remembered the late distribution boss on Wednesday night at the Will Rogers Pioneers Dinner, the two having worked together during the latter’s time at Weinstein Co. with The Master and at MGM with Licorice Pizza. Paul Thomas Anderson had the first 70MM made movie in 20 years with 2012’s The Master;
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A wacky film based on a stage show by comedians Aaron Jackson and Josh Sharp, Dicks: The Musical – a riff on The Parent Trap with two adult men as the starring twins — opens in seven theaters in New York, Los Angeles and San Francisco on a crowded specialty weekend as theatrical releases of fall film festival titles accelerates.    
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Laughs blended with tears tonight at the Beverly Hilton as many in Hollywood remembered late MGM Theatrical Distribution Boss and big screen champion Erik Lomis who was lauded posthumously with the Will Rogers Motion Picture Pioneers Foundation‘s Pioneer of the Year award. Lomis passed suddenly at 64 on March 22. It was a fitting tribute
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The National Association of Theatre Owners (NATO) Executive Board of Directors has elected B&B Theatres President & CEO Bob Bagby as the new NATO Executive Board Chair. He’ll be taking over for previous chair, Rolando B. Rodriguez, who is exiting; his retirement as the top executive at Marcus Theatres announced last year. In addition, Harkins Theaters
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Universal/Blumhouse/Morgan Creek’s The Exorcist: Believer will continue horror’s head-spinning roll at the autumn box office with a $30M-$36M domestic start at 3,600 locations. Currently, the R-rated reboot/sequel is trending demo-wise like The Nun 2, which saw a $32.6M opening, meaning it’s great with the 18-34 demographic, Hispanic and Latino audiences as well as older guys.
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A really wet Friday in New York – National Weather Service flash flood warning wet – is likely to take a bite out of specialty film in one of its biggest markets this weekend. Alamo Drafthouse shut its NYC locations in Manhattan, Brooklyn and Staten Island until further notice due to “severe flooding in and
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Story Ave starring Luis Guzman grossed $9.85k in a limited opening at one theater, Quad Cinema, with multiple sold-out shows. The first feature from director Aristotle Torres, which won for Best Cinematography at SXSW (see Deadline review) expands to Chicago and the Bronx next week, followed by LA and additional markets October 13. Guzman plays a
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Refresh for latest…: Here we are with a sort of hybrid weekend at the international box office: there were fresh entries from the Hollywood studios, as well as major new titles timed to holiday play in local markets, and a holdover that’s continuing to rack up records. On the studio side, Paramount/Spin Master’s Paw Patrol:
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Hopefully three wide releases can wake up what’s been a relatively sleepy time at the box office, ratcheted down by the SAG-AFTRA strike. With New Regency/20th Century Studios/Disney’s original Gareth Edwards sci-fi movie The Creator, Paramount and Spin Master’s PAW Patrol: The Mighty Movie and Lionsgate’s Saw X, the top three movies look to make
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