The holds on Legendary/Warner Bros’ Dune Part Two have been great week-to-week since its March 1 opening, nothing steeper than -45% in a given week and as low as -36% in its third. That’s all due to Imax, and for fans who savor the Denis Villeneuve directed sequel, it’s getting an extended run in that
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Thank God — with hits like Dune: Part Two, Godzilla x Kong: The New Empire and Kung Fu Panda 4, the domestic box office may finally be shaking off the ashes from the double strikes, now counting close to $1.8 billion, with moviegoing gaining momentum. We told you quite early – at last year’s CinemaCon
Following a slightly stronger than projected first quarter at the international box office, and with some titles added to the release calendar later in the year, Gower Street Analytics has increased its global box office projection for 2024 to $32.3B. This is a 2.5% hike from the London-based firm’s previous 2024 estimate of $31.5B, but remains a
Broadway box office soared last week, as five productions joined the roster, one returned and no fewer than 30 of the 32 shows saw attendance at 90% of capacity or more. Twenty productions were sell-outs. A raft of recent arrivals were among the strong box office performers, with The Outsiders, The Wiz, Suffs, Hell’s Kitchen
Big news ahead of CinemaCon for Disney — and they’re not showing off their presentation until the last day of the exhibitor and studio love-in on April 11. In big 2026 news, Jon Favreau’s big screen version of The Mandalorian — The Mandalorian & Grogu— is the updated Star Wars title on May 22, 2026.
Vera Drew’s The People’s Joker – which was pulled from TIFF in 2022 over “rights issues” — starts a theatrical debut today at the IFC Center, moving to LA’s Landmark’s Nuart next weekend and expanding thereafter with about 85 booking so far — a nice outcome for the mixed-media coming-of-age dark superhero parody that “had
Universal/Monkeypaw’s Dev Patel action movie Monkey Man and 20th Century Studios’ First Omen are both projected to do north of $12M, but the former had the edge over the latter on Thursday night in previews, $1.4M to $725K. Previews for Monkey Man began at 5PM at 2,750 theaters while First Omen‘s started at 7PM. Legendary
EXCLUSIVE: Drafthouse Films has acquired Caligula: The Ultimate Cut, the 4K Ultra HD reconstruction of the notorious Tinto Brass movie. This latest presentation of the famous movie made its world premiere at the Cannes Film Festival in 2023 and includes never-before-seen footage and alternate takes and camera angles. Drafthouse will release the film theatrically —
UPDATE, EXCLUSIVE: Hit Vietnamese romance drama Mai has notched yet another new milestone, reaching $2M in North America and Europe box office in just two weeks. That makes it the highest grossing Vietnam-produced film of all time on the two continents. Heading into its third weekend of international release, Mai now has a global box
No dart gun, or First Omen, or Monkey Man will put Legendary/Warner Bros’ Godzilla x Kong: The New Empire to sleep this weekend. The pic, after an unexpected $80 million Easter weekend start, will continue to rumble with a 55%-60% second-weekend drop to between $32M-$36M. Through four days, the Adam Wingard-directed Monsterverse title stands at
EXCLUSIVE: Film Movement has acquired North American rights to Close Your Eyes (Cerrar los ojos) by Spanish director Victor Erice and is planning a theatrical release in late summer. An official selection of Cannes, Toronto, NYFF, San Sebastian and BFI London film festivals and winner of a special citation from the national society of film
Apes are hot these days coming off of Godzilla x Kong: The New Empire, and beast fever will spill over into the weekend of May 10-12 when 20th Century Studios‘ Kingdom of the Planet of the Apes is looking to open to $54 million-$61 million. That’s the latest forecast from tracking service Quorum, which reports
Fack Ju Göhte spinoff Chantal in Fairyland (Chantal im Märchenland) capitalized on its strong start in Germany last Thursday, turning in a weekend performance for the record books. With $6.2M through Sunday, the time travel adventure from Constantin Film scored the best Easter opening frame ever for a German movie in the home market, as
All due respect to Godzilla, but the first quarter of this year was a bust for Hollywood. There’s no getting around it. The news read like an April Fool’s joke without a punchline. Disney gave up its fight with Florida, better to face its battle with investor Nelson Peltz (which reminds the ancient among us
Doug Liman‘s reboot of the 1980s cult title, Road House, has clocked a massive 50M-plus viewers on Prime Video over its first two weekends. Amazon reports that it’s a record — beating the eyeballs of any original movie they’ve ever produced for Prime Video. The Amazon MGM feature, shot with Imax cameras, dropped on March 21.
IFC Films’ Late Night With The Devil topped the specialty market in its second week, as a Tollywood and a Bollywood film both made the top ten in a rare occurrence. Strong horror and Indian fare have helped buoy the box office since Covid. They continue to fill in the top ten, including this week,
Leigh Whannell’s reimaging of Universal classic The Wolf Man from Blumhouse is dashing from its Oct. 25 release date this year to Jan. 17, 2025. As previously reported Julia Garner, Christopher Abbott and Sam Jaeger star in the movie which is currently being shot in New Zealand. Meanwhile, Blumhouse’s The Woman in the Yard from
Warner Bros/Legendary Entertainment’s Godzilla x Kong: The New Empire is out and roaring at the international box office, generating $15.9M from 49 markets through its first two days overseas. Not included in that total is the strong China opening day today which came in at an estimated RMB 96.9M ($13.4M). Among highlights through Thursday, Latin
Liam Neeson crime thriller In the Land of Saints and Sinners opens on 896 screens this weekend, joined by Sean Penn in Asphalt City — the Godzilla vs. Kong of the specialty market? Neeson reunites with The Marksman director Robert Lorenz as a newly retired assassin in a remote Irish village who finds himself drawn into a
Sony is opening Miramax’s Here stateside as a platform release, going ro NYC and LA on Nov. 15, then a limited break on Nov. 22, followed by a wide opening on Nov. 27. The movie reps the first time that filmmaker Robert Zemeckis, Tom Hanks, Robin Wright and scribe Eric Roth have all worked together