Film

Three films opening this weekend highlight women’s rights, class and racism — nothing ripped from today’s headlines exactly, but features with a distinctive moment and point of view that appear particularly relevant today. Call Jane, Holy Spider and Armageddon Time join Tár, Till, The Banshees of Inisherin and others already in theaters as it gets
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Broadway box office held steady last week, with impressive attendance for recent arrivals Almost Famous and Kimberly Akimbo, and Leopoldstadt again setting a house record at the Longacre with receipts of $1,158,051. In all, the 28 Broadway productions grossed $28,585,160 for the week ending Oct. 23, just about dead-even with the previous week. Total attendance
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Universal/Working Title’s Ticket to Paradise has winged past the $100 million mark globally. With Tuesday’s grosses included, the Julia Roberts–George Clooney rom-com’s split is $20.6M domestic and $81.9M from the international box office for a worldwide total of $102.5M so far. Having released early overseas, Ticket to Paradise, directed by Ol Parker, just went out
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National CineMedia is suing Regal Cinemas, one of its founding partners, for hiding behind Chapter 11 to cancel a longstanding and legally binding contract – a twist in the bankruptcy saga of Regal parent Cineworld. Regal created National CineMedia with AMC and Cinemark in 2007 to provide in-theater advertising in and it still owns a
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Let’s celebrate the heydays of this autumn’s box office where we can, the season greatly hampered by a lack of tentpole product. But thanks to New Line’s Dwayne Johnson DC movie, Black Adam, that’s changing. In the wake of the pic posting the best opening of the actor’s solo star career at $67M domestic, ($140M
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In addition to New Mexico being a serious place for filmmaking and TV series –the state reaping a record $855.4M from Hollywood’s motion picture & TV industry’s spending– Santa Fe itself counts a fervent moviegoing community, especially for arthouse and experimental product. Audiences packed venues around town for the Santa Fe International Film Festival from
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We have confirmed that tracking service NRG is eyeing a $175 million start for Disney/Marvel’s Black Panther: Wakanda Forever. That total would give it the second-best opening of 2022 after Disney/Marvel’s Doctor Strange in the Multiverse of Madness, which debuted to $187.4M in May. Last year’s Marvel sequel Spider-Man: No Way Home owns the biggest
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UPDATE, Friday late afternoon: We are hearing from sources that Black Adam is set to make $25 million on Friday, which would easily be the best opening day for Dwayne Johnson among his solo projects. That list includes Hobbs & Shaw ($23.6M), Mummy Returns ($23.1M) Jumanji: Next Level ($19.7M) and San Andreas ($18.1M). Today’s $25M
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The Banshees of Inisherin, which won writer-director Martin McDonagh Best Screenplay and Colin Farrell the Volpi Cup for Best Actor in Venice last month, hits theaters in New York and Los Angeles on Friday, expanding to 10 more markets/50 locations next weekend, and to 600-800 screens November 4. If standing ovations say anything, the comedy-drama had a
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EXCLUSIVE: Lionsgate is giving an Oscar-qualifying run to the psychological thriller Alice, Darling on December 30 before the pic’s nationwide release in 2023. The film, which made its world premiere at the Toronto Film Festival where it notched a near 90% on Rotten Tomatoes, stars Oscar nominee Anna Kendrick as a woman woman pushed to
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EXCLUSIVE: On the heels of releasing Goran Stolevski’s feature directorial debut You Won’t Be Alone, Focus Features is re-teaming with the Macedonian-Australian filmmaker on his second feature, Of An Age. Focus has scheduled Of An Age for February 10, 2023, with a national expansion on February 17. Universal has offshore rights sans Australia. Written, directed,
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Broadway box office held steady at $28,621,480 last week as a slate of new productions began or continued previews (Almost Famous and Kimberly Akimbo filled more than 90% of their seats), MJ and Leopoldstadt set house records and The Phantom of the Opera was once again standing room only as the long-running Andrew Lloyd Webber
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