Film

Finally, after a very long drought at the box office, a fire-breathing theatrical-windowed tentpole arrives in New Line’s Dwayne Johnson title, Black Adam. But will it deliver? Knock on wood, everyone hopes so for this DC movie that was shot for less than $200M. The movie arrived hot on domestic tracking this month with a

Broadway box office held steady at $28,621,480 last week as a slate of new productions began or continued previews (Almost Famous and Kimberly Akimbo filled more than 90% of their seats), MJ and Leopoldstadt set house records and The Phantom of the Opera was once again standing room only as the long-running Andrew Lloyd Webber

Sony has decided to kick off the Tom Hanks movie A Man Called Otto on Christmas Day in an exclusive opening in New York and Los Angeles versus a wide release on Wednesday, December 14. The movie then will go wide over MLK weekend, January 13, which is where Warner Bros.’ House Party and Universal/Blumhouse’s

Sight Unseen, Makeready and Hillman Grad Productions’ A Thousand and One will be released in theaters on March 31, 2023 from Focus Features. The pic reps the feature directorial debut of A.V. Rockwell, off a script the filmmaker wrote, which follows unapologetic and free-spirited Inez (Teyana Taylor), who kidnaps six-year-old Terry from the foster care

UPDATE, writethru: Horror ruled at the global and international box office again this session with Universal/Blumhouse’s Halloween Ends bowing to $17.2M in 77 overseas markets for a $58.4M worldwide launch. Last week’s champ, Paramount’s Smile, put in another scary strong performance, dropping just 16% with $16.3M in 61 markets, to beam at a running offshore

Chinonye Chukwu’s Till got off to a solid start at the specialized box office, grossing over $15k per theater from 16 locations in five markets for an estimated weekend gross of $240.9k, possibly more depending on how Sunday plays out. “It’s as much as we could have hoped for,” said Erik Lomis, president of United Artists Releasing. The

New Line’s reboot of House Party, which was originally supposed to go to HBO Max, but was given a theatrical release, will now open on Jan. 13, 2023 rather than Dec. 9, 2022. Bad news: That shifts one wide release out this year, however, two weekends before Christmas was a desert last year with Steven

EXCLUSIVE: Momentum Pictures has acquired distribution rights in the US, Canada, and UK to Soft & Quiet, the debut feature from filmmaker Beth de Araújo which made its world premiere at SXSW. The film, produced by Blumhouse and Second Grade Teacher, earned gripping reviews out the Austin, TX event, near 90%. The pic will be released

Specialty film rollouts continues to accelerate with Chinonye Chukwu’s Till, Park Chan-wook’s Decision To Leave and A24’s Stars At Noon joining releases from previous weeks to populate theaters as awards season gathers steam.   Till, from United Artists Releasing, world premiered at the ongoing New York Film Festival to stellar reviews (100% on Rotten Tomatoes,

FRIDAY MIDDAY UPDATE: As of this minute, Halloween Ends isn’t looking as super as what the forecasts had –meaning in the $50M range. Still, at a $43M opening, it’s not shabby for a film that cost $30M. Remember, it is a threequel. Universal can brag that it’s the sixth year in a row (8th time)

Exhibition trade group the National Association of Theatre Owners announced Monday that its 24-year CEO and President John Fithian was retiring. While that’s not as long as the late Motion Picture Association boss Jack Valenti’s 38-year run at that trade org, who left behind his own legendary streak with the creation of the ratings system, Fithian

Warner Bros has shifted the release date by two weeks next year for Dune: Part Two going from Nov. 17 to Nov. 3 and still hanging onto Imax screens for the Denis Villeneuve directed sequel. The news comes as Disney/Marvel’s Blade evacuates the first weekend of November for Sept. 2024. Dune 2 stands unopposed. A

Theaters on London’s West End dimmed their lights Wednesday evening in memory of the late Angela Lansbury who passed away Tuesday at age 96. The London-born actress last appeared on the West End in 2014’s Blithe Spirit at the Gielgud Theatre, in which she reprised her Tony-winning role as Madame Arcati. She won the Best

Paramount’s Parker Finn-directed horror pic Smile has laughed its way across the $100M mark globally. And it did so in under two weeks of release. Through Tuesday, the gross is $102.3M worldwide, made up of $55.5M domestic and $46.8M from the international box office.  From Paramount Players and Temple Hill, the movie has seen some

Specialty distributor 3388 Films has set an October 28 U.S. theatrical release for Vietnamese comedy A Hundred Billion Key. The movie will have its North American premiere at the Newport Beach Film Festival a week prior on October 19. Check out the trailer below. From actor-turned-director Võ Thanh Hoà, Chìa Khoá Trăm Tỷ (A Hundred Billion Key)

Rian Johnson’s murder-mystery sequel Glass Onion: A Knives Out Mystery will receive a theatrical UK release after Netflix struck deals with Vue International and Cineworld. The film will screen at select Vue and Cineworld cinemas across the UK between November 23-29 before hitting the streamer on December 23. Discussions are ongoing for the film to

While tentpoles resuscitated moviegoing this past summer with pics like Top Gun: Maverick, it’s true that more adult-skewing fare is having a much harder time now. Nowhere was this more true than with David O. Russell’s Amsterdam, which rivals believed had a shot at opening to $12 million-$15 million this past weekend based on the

Colm Bairéad’s The Quiet Girl, which is Ireland’s entry in the Best International Film Oscar race this year, has punched through the €1m ($971,000) box office ceiling in a record-breaking performance for an Irish-language feature. “We are truly humbled by the manner in which audiences in Ireland and the UK have embraced our film. To

Focus Features’Tár opened in limited release to strong results with $160,000 at four locations in New York and Los Angles for a $40,000 per theater average, one of the best PTAs since Covid and not bad for a 2-hour and 38-minute arthouse film pre-pandemic. Riding strong reviews, the Cate Blanchett-starrer by Todd Field was no. 1 in three

Universal/Working Title’s Ticket to Paradise, the latest big-screen collaboration for Julia Roberts and George Clooney, has led the duo to a new milestone. Five films in which the mega-stars worked together have now grossed a combined $1B at the global box office.  Those titles are 2001’s Ocean’s Eleven ($451.5M), 2003’s Confessions of a Dangerous Mind