PARADISE PALMS

Quirky brothers battle a mobster over the future of their family’s hotel in 1950s Los Angeles in Haddad’s novel.

The tightknit but contentious Shapiro family has been operating the small Paradise Palms hotel for decades. The property is prime Hollywood real estate, but the hotel business has fallen on hard times. The older sons—responsible David, finance whiz Leo, and stylish Aaron—plan to modernize to attract a new, wealthier clientele. When they suggest putting up a trendy new neon sign, their elderly father, Max, tells them he’s already arranged to have it done for free by Vance “Red” Gordo, a shady mobster who owes Max a favor. As the story goes on, the brothers desperately try to rein in and protect the increasingly erratic Max while clashing with the brutish Red; Max’s greedy, much younger companion, Kitty; and the brothers’ younger, dissolute sibling, Rudy. The plot springs one surprise after another as it switches between fast-moving, present-day action and scenes from the past that illuminate the Shapiros’ complicated relationships and personalities. Tough women, bumbling villains, government bureaucrats, naïve tourists, the Palms’ loyal staff members, and a trio of eccentric long-term residents rounds out the cast. The action features extortion, violence, gambling, arson, murder, and shocking revelations—as well as reunions, romances, weddings, births, and funerals. The novel is rich in period detail, from the Sputnik launch to the Howdy Doody TV series’ finale, as well as aspects of car culture, the freeway system, fashion, and the Los Angeles Dodgers. The writing is vividly descriptive, snarky, and funny, but it doesn’t shy away from engaging with serious issues, such as homophobia, racism, and police corruption. Haddad’s background as an Emmy-nominated TV writer and producer is obvious, as is his deep affection for the city of Los Angeles and its history.

A madcap black comedy about family ties, real estate, and long-buried secrets.