All due respect to Godzilla, but the first quarter of this year was a bust for Hollywood. There’s no getting around it. The news read like an April Fool’s joke without a punchline. Disney gave up its fight with Florida, better to face its battle with investor Nelson Peltz (which reminds the ancient among us
Film
Doug Liman‘s reboot of the 1980s cult title, Road House, has clocked a massive 50M-plus viewers on Prime Video over its first two weekends. Amazon reports that it’s a record — beating the eyeballs of any original movie they’ve ever produced for Prime Video. The Amazon MGM feature, shot with Imax cameras, dropped on March 21.
IFC Films’ Late Night With The Devil topped the specialty market in its second week, as a Tollywood and a Bollywood film both made the top ten in a rare occurrence. Strong horror and Indian fare have helped buoy the box office since Covid. They continue to fill in the top ten, including this week,
Leigh Whannell’s reimaging of Universal classic The Wolf Man from Blumhouse is dashing from its Oct. 25 release date this year to Jan. 17, 2025. As previously reported Julia Garner, Christopher Abbott and Sam Jaeger star in the movie which is currently being shot in New Zealand. Meanwhile, Blumhouse’s The Woman in the Yard from
Warner Bros/Legendary Entertainment’s Godzilla x Kong: The New Empire is out and roaring at the international box office, generating $15.9M from 49 markets through its first two days overseas. Not included in that total is the strong China opening day today which came in at an estimated RMB 96.9M ($13.4M). Among highlights through Thursday, Latin
Liam Neeson crime thriller In the Land of Saints and Sinners opens on 896 screens this weekend, joined by Sean Penn in Asphalt City — the Godzilla vs. Kong of the specialty market? Neeson reunites with The Marksman director Robert Lorenz as a newly retired assassin in a remote Irish village who finds himself drawn into a
Sony is opening Miramax’s Here stateside as a platform release, going ro NYC and LA on Nov. 15, then a limited break on Nov. 22, followed by a wide opening on Nov. 27. The movie reps the first time that filmmaker Robert Zemeckis, Tom Hanks, Robin Wright and scribe Eric Roth have all worked together
In the wake of Dune: Part Two, Kung Fu Panda 4 and Ghostbusters: Frozen Empire, Legendary/Warner Bros‘ Godzilla x Kong: The New Empire continues to provide momentum to the box office following a lack of event titles in Q1 due to the strikes. Tonight, sources tell us that the Adam Wingard directed monster mash movie
EXCLUSIVE: Several sources tell Deadline that the Alamo Drafthouse Cinema circuit is up for sale. The news comes about a week and a half before CinemaCon, the major studios and exhibitors’ annual love-in in Las Vegas. I’m told that some studios have heard the sales pitch for the cinephile circuit, which counts 41 locations across
EXCLUSIVE: After smashing records in Vietnam, Tran Thanh’s hit romance drama Mai has now set a new milestone for an opening weekend at the international box office, becoming the first Vietnamese title to score a $1M debut outside the home market. Beginning March 22, specialty distributor 3388 Films released the Phuong Anh Dao/Tuan Tran-starrer in
Broadway’s first salvo of spring newcomers was more than holding its own last week, with recent arrivals drawing strong audiences. Two shows had their opening nights during the week ending March 24, with An Enemy of the People, starring Jeremy Strong, Michael Imperioli and Victoria Pedretti, playing to standing room only crowds at Circle in
Nothing says Easter tentpole quite like Godzilla x Kong: The New Empire which is set to conquer the world with a box office debut around $135M, bolstered by 63 foreign markets and 3,850 theaters stateside. Warner Bros had great fortune in releasing the Legendary IP during Easter 2021 with Godzilla vs. Kong, luring audiences back
Will Smith’s Mike Lowrey and Martin Lawrence’s Marcus Burnett are back as Sony dropped a new trailer for Bad Boys 4 and gave it a new title: Bad Boys 4: Ride or Die. The pic which sees Bad Boys for Life filmmakers Adil El Arbi and Bilall Fallah reteaming comes out in theaters on June
Universal/DreamWorks Animation’s Kung Fu Panda 4 had a rock ‘em sock ‘em weekend at the international box office, adding $55.3M from 69 markets for a $135M overseas running cume, and $268.2M global (there are several key markets still to release, including France, Australia, the UK and Korea). The frame for the fourquel was led by
IFC’s Late Night With The Devil has scared up the distributor’s largest opening weekend ever with an estimated $2.8+ million on 1.043 screens, coming in at no. 6 at the domestic box office. Prior to this weekend, Watcher was IFC’s top opening film at $827k, followed by Skinamarink with $819k and Blackberry at $801k. Late
Coming out of the weekend, and with Sunday’s actuals and Monday’s numbers included, there are new global milestones to celebrate for the two major Hollywood titles currently in release. As noted on Sunday, Warner Bros/Legendary Entertainment’s Dune: Part Two was nearing $500M worldwide. Ultimately reaching $498.1M through Sunday, the Denis Villeneuve sequel added $5.2M from
Has it been that long? George Lucas’ Star Wars: Episode I – The Phantom Menace is getting a 25th anniversary re-release by Disney on May 3. That’s in time to celebrate Star Wars day, May the 4th. As part of the “The Phantom Menace” screenings, fans will be treated to an exclusive look at Disney+/Lucasfilm new series
Q&A’s are a staple of indie opening weekends since they tend to sell tickets but Bob and Jeanne Berney’s Picturehouse has raised that bar, offering audiences seven-minute live burlesque revues before selected screenings of documentary Carol Doda Topless At The Condor. The ode to the woman, and to 1960s San Francisco where she broke out
Sony‘s sequel to Jason Reitman’s Ghostbusters: Afterlife, Ghostbusters: Frozen Empire, took in $4.7M from previews last night that began at 2PM at 3,561 theaters. That amount of money is close to the $4.5M previews of Ghostbusters: Afterlife which opened heading into the pre-Thanksgiving 2021 frame when audiences were still shaking off Covid fears. Last night’s
The NBC television network will extend its live coverage of the 2024 Paris Olympics Opening Ceremony to Imax locations nationwide on Friday, July 26 — the first time the global event will be presented live on the big screen. The first-ever Summer Olympic opening ceremony not held in a stadium will take place on the
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