Film

Sony’s $100M sequel to Ghostbusters: Afterlife — Ghostbusters: Frozen Empire— is looking at an opening at $45M, give or take. The previous installment, released during the pandemic in 2021, which was directed by Jason Reitman and produced by the late Ghostbusters filmmaker Ivan Reitman, opened to $44M and legged out to $129M domestic. Currently through
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Indies in moderate-wide release claimed the nos. 6, 8 and 9 spots at the domestic box office led by Love Lies Bleeding. Kristin Steward toplines the Berlin-premiering film by Rose Glass that expanded nationwide, grossing $2.5 million for the weekend on 1,362 screens (up from five theaters opening week). The steamy crime thriller from A24
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With a solid offshore hold, Denis Villeneuve’s Dune: Part Two is closing in on $500M globally. The overseas weekend brought in $51.2M across 73 markets, a 40% drop versus last session (-37% excluding China). The international box office cume through Sunday is $289.4M, and worldwide the running total is $494.7M. The latter figure means the film
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EXCLUSIVE: Nowhere Special by director Uberto Pasolini (The Full Monty, Still Life), and starring James Norton (Bob Marley: One Love, Little Women, Happy Valley), is set for theatrical release on April 26. The film from Cohen Media Group had its World Premiere at the Venice Film Festival in 2020 and comes back around after Norton’s recent appearance
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After pouring over $200M currently into the domestic box office with Dune: Part Two, Legendary Entertainment and Warner Bros. have more cash to shower on exhibition with the Easter weekend March 29 theatrical release of Godzilla x. Kong: The New Empire. Currently projections are at $45M+ (don’t be shocked if it hits $50M) for the
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A trio of moderate releases – One Life, The American Society Of Magical Negroes and Knox Goes Away join Janus Films’ celebration of master musician Ryuichi Sakamoto, and César award winning The Animal Kingdom as the next wave of 2024 indie films rolls out post-Oscars. Focus Features’ American Society Of Magical Negroes, the feature directorial
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A slate of Broadway newcomers drew strong audience figures last week, with several – An Enemy of the People, The Notebook and The Who’s Tommy filling every seat and then some. Of the recent late-winter/early-spring arrivals, An Enemy of the People, the Ibsen revival starring Jeremy Strong, Michael Imperioli and Victoria Pedretti, was the top
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