Film

Michael, the Michael Jackson biopic starring Jaafar Jackson as the King of Pop, is getting a global release. Lionsgate is releasing the movie stateside on April 18, 2025, with Universal is handling overseas distribution. Today, Lionsgate announced that it was beginning production on director Antoine Fuqua’s Michael on January 22. The John Logan-scripted movie, produced

Radio Silence‘s new movie with Universal has made its title known, and it’s Abigail. The pic was always set to open on April 19, 2024. Here’s the blurb: Children can be such monsters. After a group of would-be criminals kidnap the 12-year-old ballerina daughter of a powerful underworld figure, all they have to do to

Exhibitors are lighting candles and saying prayers that Paramount‘s feature musical redux Mean Girls carries them big-time throughout January after a dry spell caused by the double strikes. Ya see, for the next three weeks following Mean Girls, there isn’t a major studio wide release until Apple Original Films’ Argylle arrives on February 2 via

Broadway box office was back on earth last week following the previous week’s unusual double-holiday surge, when both Christmas and New Year’s Eve fell within the same theatrical window. For the week ending January 7, Broadway’s 26 productions grossed a total $29,681,396, a 35% drop from the previous week‘s $45,413,789. Attendance was down about 14%

Searchlight Pictures’ Poor Things rounded out the top ten this weekend and American Fiction from Amazon MGM Studios continued its slow burn with both films in the running for big awards at the Golden Globes tonight. Yorgos Lanthimos’ Poor Things starring Emma Stone grossed $2 million in week five on 750 screens (down from 700)

Audiences didn’t have a lot of new choices, nor a mega late-December blockbuster to ring in the first weekend of the new year at the movies, but the studio titles on offer are still drawing crowds and seeing strong holds, particularly with ongoing holidays in many international box office markets. Milestones are also being set

Sony Motion Picture Group Chairman has a few things to celebrate this weekend: Between the studio’s Spider-Man: Across the Spider-Verse and the studio’s R-rated comedy No Hard Feelings, the studio counts four Golden Globe noms. But then there’s Sony movie, Anyone But You, which reps a return for romantic comedies to the big screen; that

Sony Motion Picture Group Chairman has a few things to celebrate this weekend: Between the studio’s Spider-Man: Across the Spider-Verse and the studio’s R-rated comedy No Hard Feelings, the studio counts four Golden Globe noms. But then there’s Sony movie, Anyone But You, which reps a return for romantic comedies to the big screen; that

It’s quiet for specialty openings after the holidays, in the thick of awards season. But one film needed this weekend — Abramorama documentary A Storm Foretold by Danish director Christoffer Guldbrandsen about the MAGA movement and the Jan. 6 insurrection. The filmmaker captured footage over years of on-and-off access to Roger Stone. It’s booked for

There’s always been a demand for horror in the New Year, and Universal, Blumhouse and Atomic Monster are meeting that this weekend with Night Swim which made $1.45M in previews at 2,750 theaters from showtimes that began at 5PM. The PG-13 movie isn’t expected to be M3GAN, the early PG-13 horror doll hit from last

Global box office is estimated to have reached $33.9B for 2023, a 30.5% gain on 2022, according to Gower Street Analytics. While this represents continuing worldwide recovery, the figure remains 15% behind the average of the last three pre-pandemic years (2017-2019). Gower Street also recently estimated that, due in part to this year’s strike-impacted release

A double-holiday week on Broadway – the final week of 2023 – saw a surge in box office, with many shows posting record numbers. Winner of the week? Disney’s The Lion King, which grossed a massive $4,316,629, not only setting a house record at the Minskoff but a Broadway record for the highest single-week gross

B. Riley analyst Eric Wold, who has stayed generally bullish on the movie theater business despite its recent trials, is now warning investors that the arrival of a “down box office year” has made him “increasingly cautious.” In a note to clients about his 2024 outlook, Wold wrote that he expects the stock performance of

As my colleague Anthony D’Alessandro has noted, the domestic movie box office, starved of product by overlapping strikes, will likely be trimmed by a billion dollars in 2024. So here’s question worth pondering: Would the film industry be healthier if most of that pruning occurred at the very top? There’s a case to be made.

MONDAY AM writethru: Yes, Virginia, there is a Santa Claus, and he’s delivering the motion picture industry a $9 billion-plus year at the domestic box office, a feat many thought was unimaginable with the lack of a mega-tentpole over the holiday, coupled by a Q4 impacted by the double strikes. The numbers were compiled from

Releasing three tentpole movies into December, Warner Bros is walking away with bragging rights to giving the holiday season an important boost – particularly given the absence of an Avatar or a Spider-Man as in recent years. In total, WB’s three titles on release have grossed $700 million since Wonka first began offshore rollout on

The indie box office busted out this year, hitting is stride post-Covid with an eclectic string of releases that made a splash artistically and financially. Independents and mini-majors saw $1.47 billion in box office receipts as of Dec. 27, up from $811.7 million in 2022, according to Comscore. Focus Features had the biggest limited opening

SATURDAY AM: Refresh for updates Yes, Virginia, there is a Santa Claus and he’s delivering the motion picture industry a $9 billion-plus year at the domestic box office; a feat many thought was unimaginable with the lack of a mega-tentpole over the holiday with a Q4 impacted by the double strikes. But it was a

Christmas week rang in an estimated $281.4M, +14% from the Dec. 23-29 period a year ago ($246.4M), indicating that moviegoing remains healthy post-pandemic for a family-heavy, yet diversified lineup of movies — this despite the lack of one big five-quad tentpole on marquees. Warner Bros./DC’s Aquaman and the Lost Kingdom won the week with $58.3M,

It’s funky times at the holiday box office. At a glance, without a major monolith title in the marketplace and another pic leading with a single-digit take, it looks like a scenario of the tide failing to lift all boats. On Wednesday, it was Warner Bros.’ Wonka that won the day with $8M at 4,213