Film

UPDATED: New this weekend at the international box office, Warner Bros began pre-domestic release on Amazon MGM Studios’ Red One. The opening numbers on the Christmas-themed Seven Bucks production are within the range we expected heading into the frame, coming in at $26.6M from 75 offshore markets.  For Latin America, the film ranked No. 2
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Cannes Palm d’Or winner Anora went wide and A Real Pain added theaters in limited release, both nicely, with Crunchyroll’s Japanese epic fantasy OVERLORD: The Sacred Kingdom and Small Things Like These at the specialty box office. Sean Baker’s breakout Anora is looking at $2.55 million on 1,104 screens in week four of Neon’s slow rollout for
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The six-week-out projection for Disney‘s Mufasa: The Lion King has hit via Quorum tracking service, which sees it at a $59 million-$66 million opening when the Barry Jenkins-directed prequel hits cinemas on December 20. Keep in mind that the fire-breathing campaigns for Mufasa and Paramount’s Sonic The Hedgehog 3 haven’t truly begun yet; heck, they’ll
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Box office darling Anora, Sean Baker’s Cannes Palme d’Or winner from Neon, goes wide today after a slow platform, expanding to 1,104 screens as indies continue to bust onto screens. Searchlight Pictures’ A Real Pain adds eight locations, with Focus Features’ Conclave and A24’s Heretic continuing, and launching, respectively, in wide release.   A Real
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As we told you recently, Disney‘s Moana 2 is heading to the best five-day opening ever at the Thanksgiving box office. We gave the six-weekend projection from Quorum, and this morning tracking service NRG — which reports three-weekend-out forecasts — is saying the Hawaiian princess sequel is going to clear $135M over Wednesday-Sunday. That would
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Death Becomes Her, the new musical adaptation of the 1992 comedy fantasy film, worked up some Broadway magic in its second week since beginning performances at the Lunt-Fontanne, grossing an impressive $1,073,018 for seven previews and filling 98% of the venue’s seats. The musical, starring Megan Hilty, Jennifer Simard, Christopher Sieber and Michelle Williams, was by far
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EXCLUSIVE: Lionsgate‘s Antoine Fuqua directed Michael Jackson biopic, Michael, is moving out of next year’s Easter frame of April 18-20 and to Oct. 3, 2025. Universal is handling the overseas release of the movie which stars the King of Pop’s nephew, Jaafar Jackson, in the title role. In addition, Lionsgate has dated the Aziz Ansari
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The 45th American Film Market launches tonight in a new host city, Las Vegas, amid the tension and distraction of a hotly contested U.S. presidential election. Despite last year’s edition being beset by logistical challenges, organizer IFTA (Independent Film & Television Alliance) says office and exhibition space is sold out this go around. They hope
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Robert Zemeckis has always been about a great technological or storytelling conceit in his movies whether it’s the live-action animated hybrid of the 3x Oscar winning Who Framed Roger Rabbit?, the insertion of Tom Hanks in famed historical footage in Oscar Best Picture Forrest Gump or the motion capture of The Polar Express. However, his
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The independent film fall festival love affair with moviegoers continues with A Real Pain posting the year’s third best per screen average. Anora continues its standout run as does Conclave. The Ralph Fiennes-starring Vatican thriller is no. 4 at the box office in week 2. A24’s We Live In Time is no. 6. Searchlight Pictures’
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Imax shares nosed higher in after-market trading, up over 3% on solid numbers, new installations, and a roaring good outlook by CEO Rich Gelfond. Content revenues of $30 million fell 32% year-over-year, up against Christopher Nolan’s phenomenon Oppenheimer — the company’s fifth highest grossing title of all time — in the year prior. Despite the decline, the
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