Film

The critically acclaimed Broadway plays Is This A Room and Dana H. have been given two-week reprieves by ticket-buyers: Recently-announced early closing dates have been rescinded due to increased demand. Instead of closing Nov. 14, both shows will play through most of the month. Tina Satter’s Is This A Room, starring Emily Davis as whistleblower
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Disney/Marvel’s Eternals which is set to keep the fall box office rally going is looking at a global opening of $150M, a number that’s poised to best the $128M WW start of Shang-Chi and the Legend of Ten Rings back in early September, and emulate the $150M filed by Black Widow which had a Disney+ Premiere day-and-date component in select
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Warner Bros/Legendary’s sci-fi epic Dune is crossing the $300M mark globally today, with North America totaling $71M through Monday and including $228.3M at the international box office. The Denis Villeneuve-directed world-building movie, based on Frank Herbert’s classic novel, initially debuted at the Venice Film Festival where it garnered strongly positive response. It has been on
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Edgar Wright’s Last Night In Soho is an arthouse film that opened on 3,000 screens — a gamble in a theatrical market where multiplex-goers have been mostly turning out for big-budget, high-octane studio franchises. (Dune, Halloween Kills and No Time To Die took top spots this weekend, a soft one overall where Halloween parties may
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EXCLUSIVE: Pixar’s Toy Story spinoff Lightyear is poised to head to infinity and beyond at the box office. Deadline learns that the teaser for the Chris Evans-voiced, Angus MacLane-directed Pixar movie clocked 83 million views in its first 24 hours after dropping Wednesday. That number not only beats the 24-hour traffic of teasers from Toy Story 4 (62M), Soul (32M) and
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Saturday AM Update: The first Halloween in two years during the pandemic is taking its toll on the domestic box office, a grey cloud which many saw coming, with many trick-or-treating or heading to parties tonight. Essentially, whenever the holiday falls on a Sunday, it’s poised to gut the weekend. And, yes, we can blame
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Focus Features presents Edgar Wright’s Last Night In Soho, a twisty psycho-thriller with a great soundtrack, as Wes Anderson’s The French Dispatch goes wider, testing the appeal of a director whose films have been called the arthouse equivalent of Marvel. Last Night, a time-bending genre tale, unspools on just over 3,000 screens, not exactly specialty
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Update: Sony has moved up its release of Sam Raimi production 65 from May 13, which was in the second weekend of Disney/Marvel’s Doctor Strange in the Multiverse of Madness, another film directed by the filmmaker to April 22, 2022. On its new date, 65 stands alone as the only major studio wide release. The movie leaves behind on May 13,
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Imax sales surged last quarter as it delivered $142 million in global box office sales — up 100% year-over-year. It’s since broke records for the high-grossing month of October, with Dune being the latest hit Stateside, and said it expects an accelerating pipeline of blockbusters set for exclusive theatrical release to further build consumer momentum
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Refresh for latest…: There were milestones aplenty this weekend at the global and international box office with three Hollywood heavy-hitters reaching important new benchmarks. Among them, MGM/Eon/Universal’s No Time To Die crossed both $400M overseas and $500M worldwide while Sony’ Venom: Let There Be Carnage topped $350M globally. The weekend leader, however, was Warner Bros/Legendary’s
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Wes Anderson’s The French Dispatch did what a glum arthouse market was waiting for, revved it up with a smashing three-day average. “If Wes builds it, they will come,” said an elated Searchlight Pictures after a two year wait to get the film into theaters. It opened in 14 markets and in a total of
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