Film

Sean Baker’s Red Rocket, the highest-profile specialty opening to report numbers this weekend (i.e. not distributed by a streamer) posted a solid $96,953 for a per screen average of $16,158 in six theaters in New York/Los Angeles. Critics are calling the film about a washed up porn star returning to his hostile Texas hometown audacious
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Disney/Marvel’s Eternals is landing on Disney+ 69 days after its Nov. 5 theatrical release that date being January 12, 2022. That window is a notable size considering Disney’s experiment to crush theatrical down to a day-and-date model with Disney+ during the pandemic. Previously, Disney/Marvel’s Shang-Chi and the Legend of the Ten Rings had a 71-day window before
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20th Century Studios/Amblin/Disney’s West Side Story grossed $800K last night in Thursday night previews that began at 5PM at 2,820 locations. Industry projections for Steven Spielberg’s first feature musical are between $12M-$17M. West Side Story‘s Thursday night matches that of Universal’s Dear Evan Hansen which also made $800K from 2,700 theaters from showtimes that started at 7PM. Warner
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A24 presents Red Rocket in six theaters this weekend ahead of a limited expansion in New York and LA, adding Chicago, Austin and San Francisco next weekend with a wider rollout over the holidays to several hundred screens. The dark comedy by Sean Baker (The Florida Project, Tangerine) premiered at Cannes to a five-minute standing ovation
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The Alamo Drafthouse movie chain is opening its first theater in Washington, D.C. Friday. The Alamo Drafthouse D.C. Bryant Street will be the newest outpost of the cinema-eatery, which also debuted its first Manhattan location this fall. The nine-screen, 873-seat theater at 630 Rhode Island Ave NE spanning 45,000+ square feet is the Austin-based company’s
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After a year’s delay due to the pandemic, Steven Spielberg’s remake of the Broadway classic and 10x Oscar-winning 1961 movie, West Side Story, finally tunes up this weekend as the sole wide major studio theatrical release in 2,800 U.S./Canada theaters and offshore debuts in France, Germany, Brazil, Mexico, Russia and UK. All in, the global outlook is
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EXCLUSIVE: Theatrical titles on PVOD, as opposed to pure streaming/theatrical day-and-date movies, continued to top the most shared movies among online pirates over the last week; Venom: Let There Be Carnage remaining the top title for the second week in a row, while 20th Century Studios/Disney’s The Last Duel from Ridley Scott ranking second and capturing over
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Universal will be opening Amblin’s The Fabelmans on Wednesday, Nov. 23, the day before Thanksgiving. The Steven Spielberg directed movie, loosely based on his childhood, will receive a wide theatrical release. The Fabelmans stars Michelle Williams, Seth Rogen, Paul Dano and Gabriel LaBelle. Steven Spielberg co-wrote the screenplay alongside Tony Kushner. Spielberg, Kushner and Kristie Macosko Krieger
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Refresh for latest..: We’re in a sort of holding pattern at the international box office, as big year-end titles are still in the wings. This weekend was all about holdover business — and some further market launches on major pics already in release elsewhere. Last frame’s debut, Disney’s Encanto, leads the session again for the
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Neon and Participant opened animated documentary Flee to a $25,033 debut in four locations. That makes for a strong per-theater average of $6,258 ahead of a rollout early next year for the much-decorated Danish film ahead of Academy Award nominations Feb. 8. It’s one of a few rather particular offerings, including Drive My Car, that
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After having been cleared by authorities in late November for an eventual China release, the market has now given Warner Bros/Village Roadshow’s highly-anticipated The Matrix Resurrections an official date — on January 14, 2022. The Keanu Reeves-starrer begins early offshore rollout December 16 with domestic and the majority of international markets starting December 22 and
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As is typical, the weekend following the Thanksgiving stretch is a downer, and even duly so over Omicron headlines, coupled with a Disney animated movie that isn’t as mass-appealing as its predecessors, read Encanto which is looking at a $13M estimated second weekend, -52%. That second weekend estimate is lower than the pre-pandemic second weekend takes
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The arthouse is awash with well reviewed new offerings from Danish animated doc Flee to Paulo Sorrentino’s Hand of God to IFC’s Benedetta heading into awards season and amid a paucity of new wide releases. The first weekend of December following the five-day Thanksgiving frame is notoriously slow at the box office, but also a
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SUNDAY AM UPDATE: Without Paramount’s Top Gun: Maverick in the marketplace, the Thanksgiving box office was much lighter than previous holidays, grossing an estimated $141.3M over 5-days, off 46% from 2019’s pre-pandemic holiday over the same period of time. Two family movies, Disney’s animated Encanto, which banked 52% of its $40.3M 5-day gross from Latino and Hispanic
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While some in the industry are still trying to blame a lackluster box office on the pandemic, think again: Sony’s Spider-Man: No Way Home in its first day of pre-sales yesterday on Fandango already beat that of 2019’s Avengers: Endgame; that movie ultimately turning into the biggest domestic opening of all-time with $357.1M. In addition, the presales for Spider-Man:
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