Film

The Broadway League, which announced last summer that it would not release weekly box office figures – known in the industry as the grosses – due to the modified and even erratic performance schedules of this year’s productions, has decided to release weekly box office totals, the trade organization said today. “Due to the increased

In mid-September, Gower Street Analytics projected global box office for 2021 would come in at $20.2B. The London-based film tech company has now increased its estimate to $21.6B, with the possibility of hitting a nice round $22B. The reason for the shift is primarily driven by the strong performance of October titles including China’s The

EXCLUSIVE: We hear that the pre-sales for United Artists Releasing’s Sylvester Stallone’s Rocky IV: Rocky vs. Drago, which will debut in Fathom locations on Nov. 11, are a pandemic record for the special events company, 120% ahead of the next closest title at the same point in time. Stallone’s new cut has 40 extra minutes

UPDATED, 9:59 AM: Sony Pictures Classics said today that its film Mothering Sunday will get a limited release on February 25 in Los Angeles and New York following its weeklong awards-qualifying run in November. The pic, which premiered at Cannes in July, will expand to other markets in the ensuing weeks, the distributor said. Mothering Sunday

Refresh for latest…: There were milestones aplenty this weekend at the global and international box office with three Hollywood heavy-hitters reaching important new benchmarks. Among them, MGM/Eon/Universal’s No Time To Die crossed both $400M overseas and $500M worldwide while Sony’ Venom: Let There Be Carnage topped $350M globally. The weekend leader, however, was Warner Bros/Legendary’s

Wes Anderson’s The French Dispatch did what a glum arthouse market was waiting for, revved it up with a smashing three-day average. “If Wes builds it, they will come,” said an elated Searchlight Pictures after a two year wait to get the film into theaters. It opened in 14 markets and in a total of

Denis Villeneuve’s sci-fi epic Dune hit China today with an estimated RMB 42 million ($6.5 million) on 28,274 screens and a 34.3% share of the market. While we do not yet have a social score, Friday’s estimate would portend a weekend in the $20M+ neighborhood as we noted coming into the session. Handled in China

Legendary and Warner Bros. sci-fi epic Dune excavated $5.1M from 6PM showtimes at 3,200 theaters. The Denis Villeneuve directed adaptation of the Frank Herbert novel was made available on HBO Max streaming service as early as 3PM PST/6PM EST. In China, Legendary East is reporting $6.5M opening day for Dune at 10,500 cinemas/28,274 screens. The pic is ranking as

Sony will now open the Denzel Washington directed drama A Journal for Jordan on Christmas Day instead of an initial launch on Dec. 10 in NYC and LA with a wider break on Dec. 22. In the John Burnham Schwartz and Virgil Williams screenplay adapted from the Dana Canedy article, 1st Sgt. Charles Monroe King (Michael B.

After a long Covid delay, The French Dispatch opens this weekend with distributor Searchlight Pictures and the industry hoping the whimsical Wes Anderson’s film brings a touch of Grand Budapest Hotel-ish coin to the specialty box office. Hoping, but not counting on it, as the box office take beyond studio tentpoles has been largely dour

Since being screened to great fanfare before the press since late August, Warner Bros. and Legendary’s $165M sci-fi epic Dune finally lands in U.S. theaters as well as 40 overseas markets, including China with an eye on a global weekend in the $70M+ range. Already, the Denis Villeneuve directed epic, which carries a Rotten Tomatoes of 87%

It’s quite clear that the availability of Warner Bros. theatrical slate on HBO Max day-and-date this year has impacted the studio’s U.S. box office results. This has either led to a film seeing a big drop in weekend 2 at the B.O. after a solid first weekend or in the case of New Line’s Sopranos prequel

MGM/Eon/Universal’s No Time To Die is crossing $368M at the international box office and $474M worldwide with today’s business included — and that confirms something we’ve been expecting from Mr Bond. To wit: the 25th 007 movie is now the No. 2 Hollywood movie globally and overseas of 2021; both benchmarks, in studio terms, coming

EXCLUSIVE: Arthouse streamer and distributor Mubi is launching a U.S. in-theater offering this month letting members see one film a week that it selects at participating cinemas starting in New York City. It said Mubi Go will roll out nationwide in selected markets with LA next in early 2022. Mubi Go (available in the U.K.

MGM/Eon/Universal’s No Time To Die stormed the UK when it opened on September 30, going on to become the market’s highest-grossing film of 2021 across just its launch frame. The film’s full weekend bow was $35.1M, the UK’s sixth biggest of all time and the biggest three-day start in the franchise’s history — and this

Refresh for latest…: Sony’s Venom: Let There Be Carnage chomped on a big chunk of the international box office this weekend as it swallowed a $62.3M mouthful from 44 overseas markets. This follows from the symbiote’s record-breaking Russia and Latin America starts over the past few weeks. The Tom Hardy-starrer has now cumed $115.6M overseas

As Disney/Marvel’s Eternals is being aggressively buzzed to possibly open at $100M, and their co-production with Sony, Spider-Man: No Way Home even more, the Burbank, CA has just shifted their entire Marvel movie theatrical schedule for 2022 and beyond. We’re still making sense of this. DOCTOR STRANGE IN THE MULTIVERSE OF MADNESS (Disney) previously dated on 3/25/22 moves to 5/6/22  

A24’s Lamb hit the top ten for the second week running (No. 8) at the North American box office, surging past $2 million. The Rescue expanded to 552 theaters, the widest documentary screen count since Roadrunner: A Film About Anthony Bourdain, said distributor Greenwich Entertainment, anticipating it will ultimately top $1M. Holdovers outperformed newcomers this weekend,

EXCLUSIVE: We hear that a decision was made late Thursday night to cancel ShowEast, the exhibition conference that was set for November 8-11 in Miami. “Because of the pandemic and Covid, may of the studios aren’t prepared to travel. Many of the studios still have travel restrictions. If we’re going to do a show, we