EXCLUSIVE: With Wednesday’s business included, Universal’s Wicked has topped the $700M mark globally. Of the total, $240.4M is from the international box office and $460.6M from domestic. The film still has Japan to release on March 7. The news comes as Wicked today was nominated in the main feature category by the PGAs. The $700M
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UPDATED: With this weekend’s business, Disney’s Moana 2 has topped $1B in global box office, becoming the third release of 2024 to reach the mark. This new milestone means Disney scored a hat trick of $1B worldwide grossers from 2024; the only studio with movies released during the year that crossed the coveted threshold. In
UPDATED: As it’s early January, we are still largely in holdover mode. But that shouldn’t discount the performance of those movies that released at the end of last year and are still doing solid business. Among them are Disney’s Mufasa: The Lion King and Paramount’s Sonic the Hedgehog 3. Also, as previously noted, Moana 2
It not a blockbuster MLK weekend but indies are out in force with The Brutalist continuing to surprise, The Substance adding theaters and Nosferatu, A Complete Unknown and Babygirl holding at nos. 7, 8 and 10 at the domestic box office. Robert Eggers’ vampire fest from Focus Features had a $4.3 million weekend with a
EXCLUSIVE: Quiver Distribution has taken North American distribution rights to the romantic end-of-days thriller When I’m Ready, starring Andrew Ortenberg, June Schreiner, Thalia Besson, Lauren Cohan, and Dermot Mulroney. Quiver and Briarcliff will jointly oversee theatrical release which is set for Feb. 7, 2025 followed by a digital release on Feb. 14. Quiver will handle
EXCLUSIVE: Sony’s President of Domestic Distribution Adrian Smith is retiring after a 35-year run at the studio. Taking over for Smith is Adam Bergerman who is being upped to President of Distribution. Smith was named to the post in January 2013. Following the retirement of longtime Worldwide Distribution President Rory Bruer in April 2017, global
Walter Salles-directed I’m Still Here caps weeks of packed screenings after a Best Actress Golden Globe win by star Fernanda Torres with a theatrical release from Sony Pictures Classics on five screens in New York and LA. The distributor’s The Room Next Door jumps from 44 screens to over 850, the widest release of a
FRIDAY PM: After everyone ran to the movies over the holidays, they’re doing something else this weekend with Disney’s Mufasa: The Lion King looking to upset the MLK 4-day frame with an estimated $16M take in its fifth weekend. That’s easily the lowest post-Covid No. 1 haul for a movie and nothing for the industry
In what has been the worst kept secret since Woody Allen played Michael’s Pub in NYC, Greta Gerwig’s streaming adaptation of C.S. Lewis’ Narnia is getting an exclusive two-week Imax global run in 90 countries across 1,000 auditoriums in advance of the pic’s drop on Netflix. Narnia will release in Imax on Thanksgiving Day 2026 (Nov.
EXCLUSIVE: If there’s one takeaway from the holiday box office season, audiences couldn’t quit Focus Features‘ period gothic horror movie Nosferatu. The Robert Eggers-directed title is now the Universal specialty label’s second highest-grossing release at the domestic box office at $84.4 million, overtaking 2005’s three-time Oscar winner Brokeback Mountain ($83M) and ranking behind the studio’s
Last week, as the town was grappling with the Palisades and Eaton wildfires the Warner Bros Motion Picture Group saw the double exit of lynchpin executives, Worldwide Marketing president Josh Goldstine and International Theatrical Distribution president Andrew Cripps, a corporate maneuver that continues to jar many. To say that it’s a time of change at
At the end of the day, it wasn’t as bad as expected. That’s the overriding sentiment among international distribution executives and other industry watchers regarding how 2024’s overseas and global box office panned out. Yes, we continue to need more consistency to foster the cinema-going habit, as well as more good movies that hit their
Broadway took a somewhat humbling post-holiday slip at the box office last week, with the roster of shows down by three productions and overall receipts off by about 29% from the previous week when the New Year holidays helped boost attendance. In all, the 30 shows grossed $32,176,529 for the week ending January 12, with
Alamos Drafthouse has laid off 15 corporate staffers as well as a significantly larger number of hourly employees across its circuit, effective immediately. The corporate layoffs rep about 9% of the total focusing on support center and technical engineers to streamline the business, a person familiar with the situation told Deadline. The hit to hourly
The international box office for French cinema dropped by 11% in 2024, according to data released by Unifrance on Monday, but the film and TV export agency said the figures only gave part of the picture. Unifrance said French film productions racked up 33.4M admissions internationally in the first 50 weeks of 2024 for a
It’s less than five weeks until the first big opening of 2025, that being Disney/Marvel Studios‘ Captain America: Brave New World, which hit tracking service Quorum and is expected to do $86M to $95M over the 3-day of the 4-day Valentine’s Day/Presidents Day weekend on Feb. 14. The Friday through Monday figure is also bound
Refresh for latest…: This has been a solid holdover weekend with milestones crossed and neared for the major titles in release as we come off a really strong end to 2024. But it’s bittersweet as we cannot ignore the fire devastation in the home of Hollywood. My thoughts go out to you all who have
A24’s The Brutalist busted out in limited expansion this weekend with close to $1.39 million on just 68 screens, a $20.4k per screen average, excellent for a period film with a three hour and 35-minute run time about a Hungarian architect in 1950s Doylestown, Pa. It won multiple Golden Globes — for Best Picture –
Wildfires rampaging through Los Angeles means moviegoing won’t be top of mind for Angelenos. Some top indies are opening or holding over in L.A. theaters, one of the nation’s key movie markets, amid uneven fire patterns that have scorched and flattened huge areas of the city but left others untouched. “In West Hollywood, the sun
For Sean Baker, it’s theatrical or bust. Paychecks from streamers can be tantalized in front of him, but when it comes to his original work, not only is about making works for the cinema, but shooting on celluloid, too. “We shouldn’t abandon the medium which created this artform,” Baker tells us on this episode of
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