Film

The MUBI production, Bring Them Down, starring Oscar nominee Barry Keoghan and Christopher Abbott, is hitting theaters on Feb. 7, 2025. Pic directed by Christopher Andrews, who is making his feature directing debut, follows Michael (Abbott) who is the last son of a farming family, and lives an isolated existence with his ailing, cantankerous father Ray.

Universal’s female Jurassic World movie if you will, the feature take of Broadway musical Wicked, is expected to pull in any every single woman to the tune of a $125M-$150M domestic opening. Add in an extra $40M-$50M from overseas. By every single woman, we mean stateside, in which pre-sales are through the roof. We’re hearing

Sunset Blvd. had its best box office numbers yet last week, while Maybe Happy Ending showed some welcome improvement and both Elf and A Wonderful World opened to houses with 90% of seats filled. The pre-holiday news wasn’t quite so cheery for all of Broadway though, as no fewer than 26 of the 37 productions

UPDATED: Storming 63 international box office markets in its opening frame, and before domestic enters the arena this coming week, Paramount and Ridley Scott’s Gladiator II has debuted to an estimated $87M. This is within our pre-release projection, and also marks the biggest overseas start for a Ridley Scott-directed film, as well as Paramount’s best

Hello, Love, Again, the widest domestic release for a Filipino film, now holds a record for the highest opening weekend for the same with $2.4 million and a no. 8 spot. Jesse Eisenberg’s A Real Pain crossed $3 million at the box office following its expansion to more than 1,000 theaters in week 3, landing

The Substance, the Cannes Film Festival winning, Demi Moore body swap horror movie, is poised to bust to great heights at the global box office with a $70M-$75M take. That’s quite a landmark for the Working Title produced-2 hour and 21-minute running, French shot movie which has the Ghost and $2.5 billion global grossing blockbuster

Partners Sideshow Pictures and Janus Films open All We Imagine As Light on Friday and will follow the playbook for Drive My Car, the indie distributor’s first film that began a slow rollout about this time in 2021, collecting awards, nice grosses and finishing with an International Picture Oscar win amid a flurry of nominations.

EXCLUSIVE: Universal/DreamWorks Animation’sThe Wild Robot has crossed the three-century mark globally, with $300.5M through Friday. The Chris Sanders-directed critical darling is now at $134.4M domestic and $166.1M from the international box office. The Wild Robot is the No. 2 non-sequel studio film of 2024, behind It Ends with Us; the No. 1 non-sequel Hollywood animated title

The very expensive, but typically priced, Dwayne Johnson $200M+ Christmas package Red One began its weekend journey last night with previews totaling $3.7M. Note that figure also includes monies from a Sunday special screening. The movie has been sitting still on tracking for quite some time with a $30M-$35M projection. At that level — $30M-$35M–

Breaking….Disney has pulled the second Star Wars movie dated for Dec. 18, 2026 off the calendar. We hear it wasn’t certain that one pertained to the continuing adventures of Daisy Ridley’s Rey Skywalker. Going in that spot is Ice Age 6 which was announced at D23 Brazil a week ago. As Deadline first reported, Simon Kinberg is

Twenty-four years after Best Picture Oscar winner Gladiator reinvented the swords and sandals genre, its sequel, Gladiator II, is finally entering the arena. Paramount began overseas rollout Wednesday on the continuation of Ridley Scott’s Roman Empire action saga. Through Friday, 63 international box office markets will be open — the full offshore footprint, save for

Just a year ago, Disney CEO Bob Iger was in the midst of an ongoing apology tour for the studio after string of tepid box office returns. At a conference last November, he acknowledged that things had a taken a downturn and promised, as he had been doing regularly, that Disney will be stressing quality

Alamo Drafthouse is changing up its senior leadership team, promoting two executives. Dana Pearson moves into the role of chief financial officer and VP of Product & Digital. Alex Shullman becomes Chief Product & Strategy Officer of Austin-based Alamo, which was acquired by Sony in June. The theater chain’s current CFO, Matt Vonderahe, is stepping

In a new milestone, Sony’s Venom: The Last Dance has waltzed past the four-century mark globally, now with $405.5M through Tuesday. Breaking that down, the Tom Hardy-starrer has grossed $118.5M domestically and $287M at the international box office since opening late last month. This brings the franchise total to $1.7B so far. The Marvel symbiote

EXCLUSIVE: 3D exhibition tech corp RealD has appointed Shauna Kent as VP of Marketing. Kent is a RealD marketing vet who has risen through the ranks since joining the company more than 12 years ago. She will work closely with studio partners and exhibitors to guide RealD’s marketing campaigns on such upcoming films as Moana 2,

Broadway‘s hit musical revival Sunset Blvd. stayed strong last week amidst the controversy surrounding star Nicole Scherzinger’s social media post interpreted (or rather misinterpreted) by many as an endorsement of Donald Trump. The latest Broadway grosses (for the week ending November 10) indicate that Sunset Blvd. was up $134,498 over the previous week. With attendance

When it comes to the box office battle between Universal’s Wicked, in which Jeff Goldblum plays the Wizard, and Paramount’s Gladiator II, it will not be a survival of the fittest. Deadline’s Natalie Sitek asked him at Saturday night’s Wicked LA premiere about the Glicked effect that’s expected to take place at the box office

UPDATED: New this weekend at the international box office, Warner Bros began pre-domestic release on Amazon MGM Studios’ Red One. The opening numbers on the Christmas-themed Seven Bucks production are within the range we expected heading into the frame, coming in at $26.6M from 75 offshore markets.  For Latin America, the film ranked No. 2

Cannes Palm d’Or winner Anora went wide and A Real Pain added theaters in limited release, both nicely, with Crunchyroll’s Japanese epic fantasy OVERLORD: The Sacred Kingdom and Small Things Like These at the specialty box office. Sean Baker’s breakout Anora is looking at $2.55 million on 1,104 screens in week four of Neon’s slow rollout for

Creditor Fortress was the only bidder for a handful of properties owned by Charles Cohen at a foreclosure auction Friday that saw the lender offer $5 million for U.K.’s arthouse theater chain and distributor Curzon. There were no bids for Landmark Theatres, a person familiar with the situation tells Deadline, and we hear it will