Film

Paramount Pictures EVP of International Marketing & Distribution, Cameron Saunders, is leaving the studio to pursue other opportunities. This news was first announced when Paramount reorganized its global distribution and marketing departments, however, the EVP’s last day is today. Saunders arrived to Paramount in 2018. He oversaw the studio’s theatrical regional office for Europe, the
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After two weekends without any major-studio wide releases amid Omicron fears, Paramount and Lionsgate will try to lure moviegoers back with Jackass Forever and AGC Studios’ Moonfall, respectively Exhibition hopefully will see more traffic after the Northeast experienced cabin fever from winter storm Kenan last weekend. Rolling winter-into-spring breaks don’t go into effect until February 18,
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Mammoth, CA – February 1, 2022 – Live and in person from February 3-6th, 2022, Mammoth Film Festival™ 2022 will feature a robust program of the best episodics in the areas of TV, action sports and sports. Festival organizers Tanner Beard and Tomik Mansoori recently unveiled the 2022 festival slate featuring more than 90 films, inclusive of U.S
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Broadway’s pre-Omicron autumn might best be described using a song lyric sung on stage every night by American Utopia‘s David Byrne: “Same as it ever was.” As disappointing but hardly surprising private box office data obtained by The New York Times indicates, Broadway audiences returned from the 18-month pandemic shutdown last fall with old habits
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Lionsgate’s feature take of Judy Blume’s classic Are You There God? It’s Me, Margaret has been scheduled for Sept. 16 this year. As Deadline first reported in early March 2020, the studio won the film rights to Blume’s 1970 novel in an auction, green lighting the feature with a $30M production cost and Kelly Fremon Craig directing
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Refresh for latest…: Sony/Marvel’s Spider-Man: No Way Home scaled fresh heights this session as it reached an amazing new milestone by crossing the $1B mark at the international box office. The offshore cume through Sunday is an estimated $1.003B for a global total of $1.74B. With the new milestone, No Way Home becomes only the 10th movie ever
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Cinemas from Philly to New York State and Boston (Coolidge Corner Theatre, you were missed) shuttered all or part of Sat., rattling but not routing the specialty box office. And a shout-out to theaters in NYC proper where all stayed open – sparse by day but picking up in the evening thanks to “younger people
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GameStop: Rise of the Players, Adrien Brody passion project Clean, Cannes winner Compartment No. 9, Danish upscale restaurant drama A Taste of Hunger, Michel Franco’s Sundown and Woody Allen’s latest Rifkin’s Festival hit theatres crowded by Oscar contenders in a specialty market consumed by awards season (and as a major storm looks set to pummel the
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Paramount/Nickelodeon/Spin Master’s Paw Patrol: The Movie has sauntered across the $100M threshold at the international box office. The Cal Brunker-directed animated action adventure now counts $100.3M to date overseas, and over $140M global. The film has been on a staggered overseas rollout, beginning in just six markets in mid-August last year, and continuing to add new hubs throughout September and
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More bragging rights for Sony, the studio dedicated to the theatrical window and distributor of the highest grossing movie of the pandemic, Spider-Man: No Way Home; their Marvel sequel Venom: Let There Be Carnage now counts $213.517M at the domestic box office, clicking past the 2018 first title’s $213.515M. Venom: Let There Be Carnage made $18,5K at
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Sony Pictures has acquired global rights to Rosalind Ross’ feature directorial debut Father Stu, starring and produced by Oscar nominee Mark Wahlberg. Written by Ross, the film follows the true-life story of boxer-turned-priest, Father Stuart Long, whose journey from self-destruction to redemption inspired countless people along the way. Sony has set a theatrical release of Father
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