Film

On Monday, Disney/20th Century Studios’ Free Guy crossed the $300M mark globally, becoming the fifth Hollywood title to the milestone this year. To date, the Ryan Reynolds-starrer has grossed $108.8M domestically and $193.6M at the international box office for a worldwide total of $302.4M. The video game-inspired romantic comedy from director Shawn Levy is the

The third installment in J.K. Rowling’s Harry Potter spinoff Fantastic Beasts and Where to Find Them has set a release date of April 15, 2022, the studio said Wednesday. That’s Easter weekend next year for the pic, which now has a title: Fantastic Beats: The Secrets of Dumbledore. Warners is moving up the movie from its previous

Disney CEO Bob Chapek mentioned today during a Goldman Sachs 30th Annual Communacopia Conference that Shang-Chi and the Legend of Ten Rings will hit Disney+ on Friday, Nov. 12, which the studio is designating as Disney+ Day. That’s a consumer day celebrating the services. “We’ll be surprising people with offers and it will be an annual thing,”

Coincidentally this morning at Goldman Sachs 30th Annual Communacopia Conference, Disney CEO Bob Chapek was asked a question about the compensation of Hollywood talent in the wake of long-standing distribution models being upended, and the advantages the studio has in terms of being a place that talent wants to work in a direct-to-consumer marketplace. This

Warner Bros’ Clint Eastwood western movie Cry Macho wasn’t tough at the box office this weekend, opening to $4.4M at 3,967 theaters in 3rd place, nor did the pic have any grit in homes on HBO Max pulling in only 693k households stateside over the weekend according to Samba TV. In a year of day-and-date theatrical-streaming

Jordan Fisher, who was playing the title role in Dear Evan Hansen on Broadway when the Covid pandemic shutdown hit in March 2020, will return to the role when the musical reopens at the Music Box Theatre on December 11. Producer Stacey Mindich said Monday that casting for the show’s three productions — Broadway, London

Refresh for latest…: Warner Bros/Legendary’s Dune has surpassed expectations, harvesting $36.8M at the international box office from just 24 markets in early release. The Denis Villeneuve-directed sci-fi epic was the top movie overseas this weekend, coming in with No. 1s in virtually all openings. In like–for-likes and at today’s rates, Dune is tracking 4% ahead

The Eyes Of Tammy Faye from Searchlight Pictures finished in the top ten domestically (at no. 9) with the highest per screen average of the group after Shang-Chi and Free Guy. Its estimated PTA, $1,500 in 425 theaters, bested newcomers Blue Bayou and wide releases Cry Macho and Copshop on a per screen basis. That’s

The Eyes Of Tammy Faye has something going for it that Searchlight Pictures’ Summer of Soul did not — a minimum 45-day exclusive theatrical window now that Hollywood appear to be is in the midst of a pivot to encourage moviegoing. Eyes, directed by Michael Showalter, opens on 425 screens, expanding to another 400 next

Saturday AM Update: Any doubts about the health of the overall domestic box office continue to wane with Disney/Marvel’s Shang-Chi and the Legend of Ten Rings continuing to reign a top in its third weekend $21M, the second-best third weekend result for a September release after Warner Bros.’ It ($29.75M). That’s a great -39% hold after a Friday of

EXCLUSIVE:  Following the movie’s TIFF premiere, Relativity Media will open Justine Bateman’s feature directorial debut Violet on Oct. 29 in NY and LA with an expansion to follow on Nov. 5. The pic will also hit in home demand on Nov. 9. Relativity, as we first told you, picked up Violet after its world premiere at SXSW.

Following The Humans premiere at the Toronto Film Festival, where it currently counts 85% positive on Rotten Tomatoes, A24 said Friday that Stephen Karam’s feature adaptation of his 2016 Tony-winning play will open in theaters and air on Showtime on November 24. It also dropped a trailer. The Humans follows Erik Blake (Richard Jenkins), who has gathered

Today Independent Spirit Award winning-filmmaker Olivia Wilde announced the release date for her upcoming New Line horror drama Don’t Worry Darling of Sept. 23, 2022 on her social media handles. It’s a long away off, but don’t be surprised if this highly anticipated return by Booksmart director makes a big splash in next year’s fall film festival troika.

Warner Bros/Legendary’s Dune is off to an epic start at the box office in France. The Denis Villeneuve-directed adaptation of Frank Herbert’s classic world-building 1965 novel grossed $1.55M in its first day on Wednesday (including Tuesday night previews). This is the market’s fourth best launch day of all time for the month of September. The

As we’ve seen with other HBO Max movies that hit theaters and the streaming service simultaneously, whenever there’s a solid number at the B.O., there’s also a solid draw in-homes. That wasn’t the case with James Wan’s giallo-inspired horror title Malignant which died at the weekend domestic B.O. with a $5.57M opening and a divided audience

Iconic Events Releasing, the event cinema company behind theatrical releases for the Emmy-winning Bo Burnham: Inside and this week’s one-night-only showing of David Byrne’s American Utopia, is teaming with kids entertainment company Pinkfong Baby Shark to release Pinkfong & Baby Shark’s Space Adventure in theaters next month. Via the deal with Pinkfong Baby Shark parent

Warner Bros/Legendary Pictures’ sci-fi epic Dune is starting early rollout this weekend, looking to capitalize on momentum coming off of its star-packed world premiere at the Venice Film Festival, which was followed by an event at Paris’ Grand Rex cinema and screenings in Deauville and Toronto — all in just the past two weeks. The

The worldwide box office for 2021 is projected to come in at $20.2B, 52% down on the record-breaking 2019 and 68% above the pandemic-hobbled 2020, says a new report from Gower Street Analytics. The London-based film tech company, which specializes in predictive box office for the distribution and exhibition sectors, calculated the end-of-year estimate following

Rich Gelfond said he’d love Paramount to rethink Top Gun: Maverick’s recent move from this fall to next May, but it’s not likely. “I have spent a lot of time close to a lot of the decision makers at Paramount and… in Top Gun they think they have something very special. Tom Cruise waited more