Rich Gelfond said he’d love Paramount to rethink Top Gun: Maverick’s recent move from this fall to next May, but it’s not likely. “I have spent a lot of time close to a lot of the decision makers at Paramount and… in Top Gun they think they have something very special. Tom Cruise waited more
Film
EXCLUSIVE: The Purge franchise architect James DeMonaco has crafted a personal film, which is an ode to cinema, based in his hometown of Staten Island, entitled This Is the Night and the Blumhouse release has a one-week theatrical run starting this Friday, Sept. 17 at Angelika’s Village East in New York City before hitting PVOD on Sept. 21 via
Focus Features landed another specialty success with The Card Counter, Paul Schrader’s biggest directorial opening in over 30 years since 1987’s Light of Day and with a likely No. 8 ranking at the North American box office this weekend. The film – starring Oscar Isaac, Tiffany Haddish, Tye Sheridan and Willem Dafoe — ran in 580
Refresh for latest…: Disney/Marvel’s Shang-Chi And The Legend Of The Ten Rings handily crossed the $250M mark globally this weekend, seeing a very good 34% drop at the international box office and maintaining No. 1s in such key markets as Australia, Brazil, France, Germany, Korea, Italy, Mexico, Russia, Spain and the UK. The overall overseas
The Anya Taylor-Joy, Chris Hemsworth, Yahya Abdul-Mateen II Mad Max spinoff Furiosa will now open on May 24, 2024 instead of June 23, 2023, Warners has just announced. Meanwhile New Line’s Stephen King adaptation Salem’s Lot will open in the post Labor Day frame of Sept. 9, 2022 next year. That has been a rich period at the box office for
Refresh for more analysis and chart With great success, comes continued great chaos for the theatrical experience this past week. On the plus side, the domestic box office is continuing its rebound during the pandemic with the second weekend of Shang-Chi and the Legend of the Ten Rings earning $9.7M in its second Friday, -67%
Disney said today that the remaining films on its 2021 slate will get an exclusive theatrical window before they stream on Disney+. Walt Disney Animation Studios’ Encanto will bow November 24 with a 30-day exclusive theatrical window. Five other pics will have a 45-day exclusive run in cinemas: The Last Duel (October 15), Ron’s Gone
Paul Schrader’s The Card Counter moves from Venice into 579 theaters this weekend — the first in a welcome stream of specialty films from the Lido, Telluride and Toronto that could, perhaps maybe, buck up the struggling arthouse market this fall. The film is 90% certified fresh and hails from Focus Features, which presented one
Universal will be releasing the Blumhouse/Miramax movie Halloween Kills in theaters and on Peacock on Oct. 15. The release date stays the same, the distribution pattern changes up. Why is Uni doing this in the wake of moviegoers’ great return to theaters for Disney/Marvel’s Shang-Chi and the Legend of Ten Rings, that pic having cleared $106M?
EXCLUSIVE: Zátopek, a biopic about four-time Olympic champion Emil Zátopek, has become a box office champ in Czech Republic as it continues to dominate turnstiles after two weeks in release. From director David Ondricek, the movie originally debuted on August 26, scoring over 17M crowns ($791.5K) in its first frame to record the biggest opening
According to Imax chief executive Rich Gelfond, the box office power of Disney/Marvel’s Shang-Chi And The Legend Of The Ten Rings should lay to rest the question of moviegoers’ willingness to return to theaters. “The studios said, ‘This is an experiment.’ I think there is an answer to the experiment. We release it in the theatrical window
Before the industry could calculate summer’s final box office figures, they had to wait for Disney, which had the final say. Because when you have a Marvel movie like Shang-Chi and the Legend of the Ten Rings programmed during the final weekend of the season, and it delivers a Labor Day holiday opening of $94.67M, it
It was the worst kept secret in Hollywood that Sony was bound to vacate Venom: Let There Be Carnage from its Oct. 15 release date, but after the enormous $90M Labor Day weekend success of Disney/Marvel’s Shang-Chi and the Legend of the Ten Rings, the Culver City lot has decided to go earlier with their own
Tango Shalom — where a female Tango dancer (Dancing with the Stars champion Karina Smirnoff) invites an Orthodox Jewish Rabbi (Jos Laniado) to enter a televised dance competition — was an arthouse standout this weekend with a per screen average of over $4,000 at four theaters in New York and LA. The solid performance in a
Refresh for latest…: Disney/Marvel’s Shang-Chi And The Legend Of The Ten Rings outperformed expectations at the global and international box office this weekend, coming in with $56.2M overseas for the standard frame, and a new Labor Day record $83.5M for the four-day domestic session ($71.4M three-day). Combined, and including the Labor Day estimate, the worldwide
A glum arthouse market may be entering a gateway weekend into happier days after months of distributors — with rare exceptions — pulling out their hair at dismal per-screens averages. That’s because festival buzz is mounting for film after film – from Card Counter, Dune and Spencer (debuted in Venice, opening respectively Sept 10, Oct.
Waitress, the Broadway hit that, along with Hadestown, brought music back to the New York stage last night after many dark months, grossed $197,878 in tickets sales today, breaking the single-performance house record at the Ethel Barrymore Theatre. The previous record – $184,476 – was set by the 2013 production of Betrayal starring Daniel Craig
For the pandemic, Disney/Marvel’s Shang-Chi and the Legend of the Ten Rings posted a solid Thursday night preview gross especially before a slow Labor Day box office frame, with $8.8 million from showtimes that began at 6 p.m. On the high side, that figure is above the Thursday night start of Universal’s F9, which posted $7.1M
EXCLUSIVE: After a successful launch of clips and footage at CinemaCon, Paramount is pushing its big Tom Cruise tentpoles, Top Gun: Maverick to May 27, Memorial Day weekend 2022, and Mission: Impossible 7 to Sept. 30, 2022. Again, these are big potential billion dollar grossing franchises co-produced with Skydance which require the world to be in an
It’s not Venom: Let There Be Carnage going on Nov. 19, rather Sony’s Ghostbusters: Afterlife which received high praise from exhibition out of CinemaCon. Word was that the Marvel sequel would move from Oct. 15 after Paramount flew Top Gun: Maverick from its Nov. 19 date, however, it’s the Jason Reitman-directed, Ivan Reitman produced sequel to the Columbia Pictures comedy franchise.
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