Film

What does the international box office and cinema landscape look like in an emerging post-pandemic world? That was the gist of an executive roundtable at CineEurope in Barcelona today. Among the key takeaways: the relationship between exhibition and distribution and a need for more collaboration in terms of reaching consumers. With so much content available

When the studio gets rich on a box office hit, exhibition shares in that and there was certainly a downpour of cash for the latter thanks to the $90M pandemic domestic opening record of Sony’s Venom: Let There Be Carnage, and also the $119M launch of MGM/UAR/Universal’s No Time to Die.  The No. 1 circuit in the

Refresh for latest…: A big and busy weekend at the international box office reaffirmed the power of theatrical as MGM/Eon/Universal’s No Time To Die bonded with audiences to the tune of $119.1M, coming in over on yesterday’s estimates. In like-for-like markets at current exchange rates No Time To Die is in line with Skyfall, and

When it comes to WarnerMedia’s theatrical-day-date HBO Max fare, we’ve often written that whatever pales at the cinemas also sours on the service. That was not the case this weekend with the The Sopranos prequel feature The Many Saints of Newark.  Even though The Many Saints of Newark wasn’t so hot at the box office with a $5M opening, the

Following last year’s cancelation and this year’s postponements, the annual CineEurope convention kicks off today in Barcelona. And what better time for studios and overseas exhibition to come together and celebrate the theatrical experience as we come off of a banner international box office weekend led by MGM/Eon/Universal’s lively launch of No Time To Die.

This week the specialty box office saw an incredible performance by yet another faith-based movie. This marks the third time this year – the other two: Witnesses and The Girl Who Believes In Miracles – the limited release space was topped by a religious-themed film. The Jesus Music (Lionsgate) is a documentary that chronicles the origins

While it was busy ringing in the second best previews night of the pandemic era domestically, Sony’s Venom: Let There Be Carnage set a new record for the Culver City studio in Russia on Thursday. With a $3.04M day one on Thursday, the Tom Hardy-starrer bested the previous film’s $2.97M in the market, making it

FRIDAY UPDATE, Refresh for latest… Full numbers for Wednesday and Thursday show MGM/Eon/Universal’s James Bond pic No Time To Die at a cumulative $22M through two days of early release at the international box office. That includes $20M from just yesterday in such markets as the UK, Brazil, Germany, Italy and the Netherlands. The figures look

Sony’s Venom: Let There Be Carnage rang up a great $11.6M Thursday night from showtimes that began at 4PM yesterday at 3,475 theaters. That’s the second best we’ve seen during the pandemic after Disney/Marvel’s Black Widow which grossed $13.2M on Thursday night from shows that began at 5PM (sans Disney+ Premier for the night). Disney/Marvel’s Shang-Chi and the Legend of

After great reviews at 100% on Rotten Tomatoes after its world premiere at Fantastic Fest and a great response to the trailer at CinemaCon, Universal is moving Blumhouse’s Scott Derrickson directed feature from Jan. 28, 2022 to Feb. 4, 2022. The following weekend is the Valentine’s Day-Presidents Day stretch which is an ideal period for Black

Sylvester Stallone has made an ultimate director’s cut of Rocky IV, entitled Rocky vs. Drago which will hit theaters on Nov. 11 for an exclusive engagement via MGM and Fathom followed by the feature being available on digital demand on Nov. 12. Stallone has added 40 minutes of never-before-seen footage to the 1985 feature made during the U.S. Cold

Refresh for latest…: MGM/Eon/Universal’s highly-anticipated No Time To Die has clocked an estimated $6.2M-$6.8M (£4.5M-£5M) in the UK on its opening day today. Daniel Craig’s final turn as legendary secret agent 007 came in about 13% above Spectre (Monday opening) and just 26% below Skyfall (Friday opening). The Cary Joji Fukunaga-directed pic is enjoying the

Refresh for more updates…There’s a great vibe out there about moviegoing right now, believe it or not; and October is just the beginning. While we had event films during the summer, we’ve got ’em all jammed packed in the next month, kicking off with Sony’s long-awaited Vernom: Let There Be Carnage on Friday stateside, followed by MGM/United

It has been a long time coming, but this week, one of the most hotly awaited films of the pandemic era is finally hitting cinemas after several Covid-induced date changes. MGM/Eon/Universal’s No Time to Die begins rollout at the international box office starting Wednesday (September 29) in Korea and adds such majors as the UK,

EXCLUSIVE: In the wake of being quite content with the theatrical and Paramount+ day-and-date release of Paw Patrol, the studio is putting the eOne/New Republic Pictures feature Clifford: The Big Red Dog back on the calendar for Nov. 10 in both theaters and on the CBSViacom streaming service. The decision is also due to the ongoing pandemic,

Refresh for latest…: Warner Bros/Legendary’s Dune continued its spicy run at the international box office this weekend, adding a further $26.3M from 32 markets to lift the offshore total to $76.5M. To quote the Denis Villeneuve-directed film, this is only the beginning as the sci-fi epic is in early overseas release with many key areas

Bleecker Street’s sci-fi romantic comedy I’m Your Man blasted off – relatively speaking in today’s specialty market – with a per screen average of $2,139 in 16 theaters in North America (12 U.S., four in Canada). Directed by Maria Schrader film with Maren Eggert and Dan Stevens, it was the rare specialty film of late

The failure of Universal’s Dear Evan Hansen at the domestic box office with a $7.5M opening didn’t really surprise anyone after the movie was torn apart by critics post its TIFF world premiere. But the latest misfire by a feature adaptation of a Broadway musical raises plenty of questions about the sub-genre’s fate at the

Disney/Marvel’s Shang-Chi and the Legend of the Ten Rings continues to crush any industry doubts about audience’s demand for stateside moviegoing, for as of today, the Destin Daniel Cretton-directed movie will become the highest grossing movie during the 2020-21 pandemic to date, clicking past Disney/Marvel’s Black Widow which stands at $183.4M through yesterday. Shang-Chi accomplished this feat on a

Universal’s feature adaptation of Tony-winning Broadway musical Dear Evan Hansen grossed $800K from previews last night from 2,700 theaters which started showtimes at 7PM. The movie directed by Stephen Chbosky, and starring the musical’s original actor Ben Platt in the title role, is expected to make around $10M at 3,364 theaters, and is expected to be beat