Film

Refresh for latest…: One of the only Hollywood titles to recently be granted a China release date, Disney/20th Century Studios’ Free Guy flew into the market with a $23.9M start. This is a solid launch in the Middle Kingdom, particularly in the current climate, and helped push the Ryan Reynolds-starrer past $100M at the international
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Being James Bond, from MGM, will stream exclusively on the Apple TV app as a free rental ahead of the theatrical release of No Time To Die, the 25th installment of the storied franchise. The 45-minute retrospective features Daniel Craig reflecting on his 15 years playing Bond, with never-before-seen archival footage from his oeuvre and conversations with 07
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Pantelion’s animated film Un Rescate De Huevitos (An Egg Rescue) is a rarity in the specialty box office as a Spanish language animated film. And its opening weekend success will certainly come as no surprise in Mexico where the franchise is its highest-grossing film series to date. The Spanish-language animation performed tremendously at its 320
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With the $20.4M opening of Universal/MGM/Monkeypaw’s Candyman, director Nia DaCosta becomes the first Black female director to debut a movie in the No. 1 weekend spot at the domestic box office. At the same time, Candyman marks the second-highest grossing 3-day domestic weekend B.O. opening for a Black female director; that record owned by Ava DuVernay and
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Anyone who skipped CinemaCon this year out of fear of the pandemic in Las Vegas missed a spitfire of a luncheon chat this afternoon. Not only was Patty Jenkins smashing the theatrical day & date model, and wagging a finger at exhibition over the decline in moviegoing experience, but also Paramount Domestic Distribution Boss Chris
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Today at Cinemacon,  Lionsgate announced that they’re opening their Erwin Brothers-directed movie American Underdog a Christmas Day release. The pic was previously set to open on Dec. 10. Lionsgate timed the release of American Underdog to the climax of the NFL season. “This movie perfectly aligns with the emotions of the holiday season: The power of faith. A
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Universal/MGM/Monkeypaw’s reimagination of cult classic horror movie Candyman posted $1.9M on Thursday from 2750 theaters off shows that began at 7PM. The pic, in a recent rare feat for horror pics, has an 86% certified fresh score on Rotten Tomatoes. Interestingly enough, another critically acclaimed horror release that played the late August period in 2016 off an
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EXCLUSIVE: Here’s some data we haven’t seen yet: The 17-day U.S. household viewership for Warner Bros. movies released this year on HBO Max, with James Gunn’s The Suicide Squad registering 4.7M households through its first three weekends of release on the service. All of this comes from Samba TV which measures streaming viewership in 3M U.S.
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Heading into Lionsgate’s CinemaCon presentation this afternoon, the studio’s Motion Picture Group Chairman, Joe Drake, was trying to figure out what he wanted to say to the room of exhibitors. He regaled those at Caesars Palace Colosseum with a story about how he met up with Cineworld and Regal Boss Mooky Greidinger at the confab
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Refresh for updates…Out of all the studios giving presentations during CinemaCon this week, Universal showed great respect to exhibition workers, by including them as presenters in their theatrical release reel. Before rolling a clip on each film set for release before March 2022, a talent from the project would reflect on their favorite cinema, and
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Warner Bros went completely virtual at CinemaCon with a pre-recorded hour-long reel sans executives onstage. We understand that it had nothing do with Covid, nor any kind of day-and-date head ducking, rather their senior ranking domestic and international distribution guys were unable to attend the confab for respective personal commitments. Warners does have other members
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Sony, which was last seen at CinemaCon in 2018, brought the confab back to post(ish)-pandemic life today. Its President of the Motion Picture Group, Josh Greenstein, took center stage and reiterated the Culver City lot’s “commitment to protecting and preserving the theatrical window.” That drew a great roar from the Caesar’s Palace Colosseum crowd. Despite
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Of course, any kind of day and date release puts exhibitors in competition with the studios’ streaming services, and no doubt there’s a loss of cash in the collapse of the theatrical and PVOD window. However, the worst takeaway from dynamic windows is piracy, plain and simple. Such was the message from CinemaCon’s first panel
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Sean Penn’s Flag Day raised a $1,656 per screen average from 24 runs this weekend, a glum opening for the father-daughter family drama from United Artists Releasing. The film, directed and starring Penn as the most notorious counterfeiter in U.S. history, along with daughter Dylan Penn, targeted an older, sophisticated demo that’s proving hard to
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There are a majority of adult-skewing movies opening this weekend that were poised to perform poorly, and that would still be the case if they were in a pre-pandemic marketplace. However, there are two bright spots to be thankful for: Disney/20th Century Studios’ Free Guy is holding up significantly better than expected, bound for an estimated
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