Film

EXCLUSIVE: Cohen Media Group will be releasing Driving Madeleine, the next movie from Oscar-nominated director Christian Carion’s (Joyeux Noel), on Jan. 12, 2024 in limited release. Written and directed by Carion, and starring Line Renaud (Dirty Money, Cop or Hood) and Dany Boon (Nothing to Declare, Family is Family, Murder Mystery), Driving Madeleine follows the

Broadway box office held fairly steady heading into trick or treat season, with receipts for the week ending Oct. 29 at $26,480,578 (about 6% down from the previous week) and attendance at 218,581 (a slip of just 3%). Staying strong was Merrily We Roll Along, enjoying another sell-out week, with the roster’s top average ticket

EXCLUSIVE: Bleecker Street‘s survival horror thriller The Origin, which debuted recently at Fantastic Fest, is getting a title change, now known as Out of Darkness and will hit theaters on February 9. Directed by Scottish helmer Andrew Cumming (Radiance, Clique) and written by Ruth Greenberg (The Spark) in both of their feature debuts, Out of

Lots of release dates changes and additions as the theatrical release schedule take a turn due to the ongoing actors strike. Universal Pictures has staked out June 27, 2025 for The Black Phone 2. The first movie, released during the summer 2022 as moviegoers were coming back to cinemas from the pandemic, was a surprise

In the wake of Warner Bros’ pushing the Robert De Niro gangster pic Alto Knights to later in 2024, release date changes are aplenty for Disney due to the actors strike, but also Jonathan Majors’ ongoing legal woes. To no surprise, Searchlight won’t be opening the actor’s Sundance critically acclaimed drama Magazine Dreams on Dec.

Alexander Payne’s The Holdovers from Focus Features pulled in an estimated $200k on six screens in New York and LA for a per-screen average of $33.3k, a good limited opening on an upbeat specialty weekend that also saw A24’s Priscilla by Sofia Coppola off to a fine start. We’re in anomalous times with the ongoing

Refresh for latest…: Universal/Blumhouse’s Five Nights at Freddy’s is gaming its way to an estimated $130.6M global opening, higher even than we had it yesterday as this phenom is now eyeing a $52.6M bow from 64 international box office markets. As Anthony has chronicled, the domestic $78M opening is a stunner — and amid the

EXCLUSIVE: Ahead of its U.S. release on November 3, Eugenio Derbez-starrer Radical is off to a great start in Mexico. The film, which won the Festival Favorite Award when it premiered at Sundance in January, opened last weekend in Mexico, selling 631.7K tickets, outdoing the sophomore frame of Taylor Swift: The Eras Tour, as well

The phenomenon that is Universal/Blumhouse’s Five Nights at Freddy’s is currently looking at a global opening of $130M. Fazbear and crew are playing in 64 international box office markets where they are expected to reach $52M through Sunday. The worldwide number reps the biggest horror opening of the year and the biggest global debut ever

Independents are out in force with high-profile fall festival fare from Pricilla to The Holdovers, a big Viva Pictures push with Inspector Sun (voiced by Ronny Chieng), Cannes documentary winner Four Daughters and Waikiki, the debut feature by Hawaiian filmmaker Christopher Kahunahana. the first homegrown feature to be shown there. Sofia Coppola’s Priscilla from A24

Warner Bros. Pictures and DC Films’ AQUAMAN AND THE LOST KINGDOM moves from Wednesday 12/20/23 to Friday 12/22/23 Director:  James Wan Producers: Peter Safran, Wan and Rob Cowan. Executive Producers: Galen Vaisman and Walter Hamada. Writers: David Leslie Johnson-McGoldrick, from a story by James Wan & David Leslie Johnson-McGoldrick and Jason Momoa & Thomas Pa’a Sibbett, based on characters from DC,

EXCLUSIVE: “We may have a big hit on our hands,” beamed one person close to the production of Universal/Blumhouse’s feature take of videogame Five Nights at Freddy‘s today. And while the movie, which hits theatrical-day-and-date today on screens at 2PM and on Peacock at 6PM is projected to do around $50M, there are some crazy

EXCLUSIVE: Lionsgate and Francis Lawrence’s return to the Suzanne Collins franchise with a pic based on her prequel novel is looking like a $50M start on Nov. 17, which is in the vicinity of 2011’s Rise of the Planet of the Apes ($54.8M). While women 17-34 are indeed the hot demo for The Hunger Games:

EXCLUSIVE: Concrete Utopia, South Korea’s International Film Oscar entry this year, will hit theaters in NY and LA on Dec. 8 with a wide release on Dec. 15.  In the U.S, 815 Pictures and Seismic Releasing are releasing the Lotte Entertainment feature. The movie opened in South Korea on Aug 9 and minted over $27M

Broadway box office held steady last week with total grosses for 28 shows tallying up to $28,106,860, with 224,832 ticket buyers paying an average $125.01 per seat. A healthy chunk of those total numbers were contributed by such recent arrivals as Merrily We Roll Along (grossing, for its sold-out week ending Oct. 22, $1,820,753, another

No one knew how big this was going to be, or is going to be but Universal/Blumhouse’s feature take on beloved horror videogame, Five Nights at Freddy‘s is eyeing a $50M+ start possibly even more. At that level, it’s the second-best opening of this autumn’s B.O. behind Taylor Swift: The Eras Tour ($92.8M). Note the

EXCLUSIVE: EVO Entertainment Group will begin operating as Elevate Entertainment Group (EEG). Simultaneously, the company has acquired Austin-based arthouse chain Violet Crown Cinemas. Elevate Entertainment Group currently operates 15 cinema entertainment centers across the U.S. with an additional four in the pipeline. Violet Crown Cinemas is known for their plush big screen, bar and cafe

Following Disney’s delay of Marvel Studios’ Deadpool 3 due to the actors strike, Paramount has made changes to next year’s schedule and beyond. Similar to Deadpool 3, Mission Impossible 8 ne Mission: Impossible – Dead Reckoning Part Two needs to restart production, and that is looking unlikely with each day that passes in the SAG-AFTRA

There were two major new entries this weekend at the international box office, one local (Tamil thriller Leo: Bloody Sweet) and one from Hollywood. Starting with the latter, Martin Scorsese’s Killers of the Flower Moon from Apple, Paramount and Imperative Entertainment, had a big opening with $21M in 63 offshore markets and No. 1s in

A trio of Indian films led by Leo: Bloody Sweet, at no. 8, and two Fathom events bulked up the specialty box office this weekend as The Persian Version debuted, Anatomy Of A Fall entered week two and Dicks: The Musical expanded nationwide. Prathyangira Cinemas opened Tamil-language thriller Leo: Bloody Sweet in 720 locations to