Film

Netflix and Caruso are re-opening the legendary Bay Theater in Palisades Village, which was closed during the pandemic. The previous lease holder was Cinépolis, which revived the venue back in 2018. The theater adds another footprint in an awards voter neighborhood for streamer Netflix; which also operates the Paris in NYC and teamed with the

IFC presents Mia Hansen-Løve’s Cannes entry Bergman Island, Film Movement brings Wheel of Fortune and Fantasy to the arthouse this weekend, as A24’s surprise hit Lamb and Greenwich Entertainment’s The Rescue go wider week two after a strong open. It’s early days but a nascent specialty revival may be in the works ahead of a stream of

AMC Theatres guests can now find select showtimes utilizing an open caption format at 240 AMC locations, in more than 100 U.S. markets. The offering of some open caption showtimes for all new release movies is intended to expand the overall movie-going audience, especially intended for those with hearing difficulties or where English is a

Universal/Miramax/Blumhouse’s sequel Halloween Kills, which is also available on Uni’s streaming service Peacock today to paid subscribers, made $4.85M from 7PM shows last night booked at 2,950 theaters. The rebooted franchise from filmmaker David Gordon Green, and starring the franchise’s legend Jamie Lee Curtis of six pics, is expected to open to mid-to-high $30Ms, for what is

EXCLUSIVE:  Former IFC Films Distribution Boss Justin DiPietro is heading to Cohen Media Group as their new Head of Marketing and Distribution. DiPietro arrives to Cohen Media Group from Netflix where he served as their Director of Sales and Distribution. DiPietro managed theatrical sales for half of the U.S., including the Los Angeles market, and helped

Alamo Drafthouse Wednesday announced the opening of its Manhattan theater as the chain expands it footprint in a slowly recovering arthouse market. Alamo Drafthouse Lower Manhattan, in the financial district, plans a soft launch through Oct. 21 with guest discounts on concessions as staff trains and gets up to speed. It’s the company’s third New

EXCLUSIVE: Exhibition need not worry: After October’s vibrant box office, there is indeed more blockbuster business to come in November. Deadline has learned that advance ticket sales for Disney/Marvel’s Eternals, opening on Nov. 5, are already quite huge. Insiders say advance sales for the movie from Oscar winning filmmaker Chloé Zhao, is estimated to have racked up

MGM/United Artists Releasing/Eon’s Monday box office for No Time to Die came in much higher than the $5M-$6M expected with $6.94M thanks to the Indigenous Peoples’ Day holiday in the Northeast. That figure bests previous Daniel Craig Bond first Mondays, i.e. Spectre ($5.3M) back in 2015, 2008’s Quantum of Solace ($4.1M) and 2006’s Casino Royale ($3.8M). No

Refresh for latest…: MGM/Eon/Universal’s No Time To Die has sped the Aston Martin past the $300M global mark, coming off of an $89.54M sophomore frame at the international box office. That lifts James Bond 25’s overseas cume to $257.27M and, including domestic’s start this session, brings the worldwide total to $313.3M. The overall drop from

NatGeo’s The Rescue by Chai Vasarhelyi and Jimmy Chin (Free Solo) stormed the specialty box off in five runs in NYC, LA and Chicago this weekend with a nearly $14,000 per screen average — the best opening PSA for a documentary playing in more than one market in over two years. (Estimated three-day cume was

United Artist Releasing/MGM/Eon’s No Time to Die clocked $6.3M from Thursday previews which began at 4PM, making it the best Bond domestic preview number ever, 19% ahead of Spectre‘s $5.25M six years ago. The figure also exceeds the preview nights of previous 007 Daniel Craig movies Skyfall ($4.6M off midnight shows) and Quantum of Solace ($2.5M off 8PM showtimes0. While No Time to

The Rescue, an arresting truth-is-stranger-than fiction story of a Thai youth soccer team trapped in a remote flooded cave system opens on five screens in NY/LA/Chicago this weekend in a specialty market waiting “for audiences to wake up and see that they’re missing out,” according to Ed Arentz, co-president of the doc’s distributor Greenwich Entertainment.

After an 18 month release date delay due to the pandemic, the anticipation for MGM/EON/United Artist Releasing’s 25th James Bond movie, No Time to Die, is no doubt huge: Fandango is reporting that the advance ticket sales for Daniel Craig’s swan song as 007 are already outstripping Universal’s F9 and Sony’s Venom: Let There Be Carnage, and it’s

One thing is clear after we’ve endured a 19-month pandemic: The world now, more than ever, needs James Bond. And not just movie theaters, and concession industries, but an assortment of brands from Madison Avenue which have seen sales curtailed during lockdown, in particular the auto industry which continues to see production slowed due to

To quote Daniel Craig in the latest No Time to Die Heineken commercial, the domestic box office opening and further offshore rollout of the 25th 007 title is poised to be “Well worth the wait.” All in, the upcoming global weekend of No Time to Die is expected to be at $150 million. Broken down, that’s another $90

Sony’s Venom: Let There Be Carnage has feasibly crossed $100M in five days, joining Disney/Marvel’s Shang-Chi and the Legend of Ten Rings as the fastest titles to do so at the pandemic domestic box office. Both titles are on a theatrical window exceeding 45 days. It should be noted that while Shang-Chi propelled past the century mark off Labor Day Monday, Venom

What does the international box office and cinema landscape look like in an emerging post-pandemic world? That was the gist of an executive roundtable at CineEurope in Barcelona today. Among the key takeaways: the relationship between exhibition and distribution and a need for more collaboration in terms of reaching consumers. With so much content available

When the studio gets rich on a box office hit, exhibition shares in that and there was certainly a downpour of cash for the latter thanks to the $90M pandemic domestic opening record of Sony’s Venom: Let There Be Carnage, and also the $119M launch of MGM/UAR/Universal’s No Time to Die.  The No. 1 circuit in the

Refresh for latest…: A big and busy weekend at the international box office reaffirmed the power of theatrical as MGM/Eon/Universal’s No Time To Die bonded with audiences to the tune of $119.1M, coming in over on yesterday’s estimates. In like-for-like markets at current exchange rates No Time To Die is in line with Skyfall, and

When it comes to WarnerMedia’s theatrical-day-date HBO Max fare, we’ve often written that whatever pales at the cinemas also sours on the service. That was not the case this weekend with the The Sopranos prequel feature The Many Saints of Newark.  Even though The Many Saints of Newark wasn’t so hot at the box office with a $5M opening, the